Thoughts on 5 Films

1. My Policeman - I don't think Harry Styles is as bad as a lot of critics claimed in Don't Worry Darling, I think he was just up against an acting force (Florence Pugh), so it felt worse than it actually was. But, I'm assuming that the 3000+ 5 star ratings for this movie on Letterboxd are Harry Styles fans, and that is super annoying (I mean, I'm obsessed with Taron Egerton but I wouldn't rate Robin Hood (2018) 5 stars. Heck, I didn't even rate Rocketman 5 stars and that's one of my favorite movies of the last decade!). I didn't really like this movie, there's nothing really necessarily wrong with it, but I just found it terribly boring. It reminded me of The Notebook combined a little with The Talented Mr. Ripley. Except that both of those movies had my attention instantly and this almost made me feel sleepy in the first 10 minutes. And whether you like Styles acting or not, he's by far the more interesting actor in this. I was interested to see Emma Corrin in something else because I absolutely hated their performance as Princess Diana (I seem to be the only one, which stuns me). They are terrible in this too - it's like a robot trying to show emotions by fake smiling in the most awkward way possible (and this is what they did in The Crown too - I think people gave them way too much credit with the coy smile acting, but I found it grating). The other guy acts too weaselly for me to root for his happiness and I don't think that's the intent. It's a good story, but I would have preferred some repercussions for Corrin's character's disgusting actions. It's awful that she seemingly gets to walk away and live a more fulfilling life. Otherwise, I will admit that I love a passionate sex scene, and this one really does it well. That's about the only good part of the movie.

2. Weird: The Al Yankovic Story - I can't say that I'm the biggest Weird Al fan; I actually find most of his song parodies obnoxious. But, I do respect the hustle - and he is uniquely and unapologetically himself. There are a few things that are really brilliantly done with this biopic - first, casting Daniel Radcliffe is perfect. I was not a fan of the Harry Potter movies, but since then Radcliffe has really chosen some unexpected roles and he's excelled in them all. Honestly, I instantly became a fan of his when he rapped "Alphabet Aerobics" on The Tonight Show - it was so unexpected. But I think, because of watching that and being wowed by it, I knew that he would shine as Weird Al. Second, I really dig the way it perfectly encompasses everything that Weird Al does - just relentlessly parodies everything. Nothing in this movie can be taken with any grain of truth or seriousness - it's all just one big parody of biopics and it hits every point that every biopic does (and usually why I don't rate the genre very highly at all - Rocketman is an exception, of course). The poster is pretty conclusive as to its intentions and it is genius (literally a knock-off of the Bohemian Rhapsody poster). Third, the entire Madonna bit is hilarious from start to finish - the fact that Evan Rachel Wood's costume is like a Halloween version of Madonna will never not be funny to me (especially because as a child of the 80s, I dressed like Madonna for Halloween pretty much every year from 1988 until 1997, and then again at a college party in the 00s - and this is literally the outfit I wore). But also just the entire plot around her character just made me laugh hysterically - and then the end "Madonna Ciccone still at large". I cried with laughter. Otherwise, the rest of the movie is entertaining, but it goes quite batshit off the rails towards the end and not really in a good way. It just kind of loses its steam. On a side note, I can't believe that Julianne Nicholson plays mom to Weird Al and Marilyn Monroe in the same year! 

3. Causeway - I've seen Jennifer Lawrence give some great performances, but it's just so rare (I liked her in The Hunger Games and mother!, everything else I feel like she sleepwalks through- she's miserable in the X-Men films and she's miscast in most O. Russell movies - oh wait I think I liked her in Joy too? Maybe? I don't really remember it though, so that says a lot). This seemed to be advertised as her going back to her roots and focusing on "acting", which is kind of funny if you think about the fact that she's, like, 30 years old. But I also don't think quieter performances necessarily mean better performances, and I don't think her acting is anything special here. I kind of feel like she has a hard time being a "normal" person. That sounds mean, but even her walk is weird. I think she may have been pregnant while filming some of this, but she walks as if she has a huge belly sticking out (and she doesn't), but I also question if it's supposed to be part of her "traumatic brain injury" that was caused by an explosion even though she has absolutely no physical injuries or scars at all. AGAIN, a traumatic brain injury from AN EXPLOSION and she still looks like that. Anyway, she is outshined by Brian Tyree Henry (he should have like 5 Emmys for Atlanta), but overall, the film is lacking substance. It's a sweet movie, but just very mediocre and forgettable. Also, I would totally rather clean pools than work in an office to be fair. But do pool cleaners really swim in people's pools?? Because that's so creepy. And *spoiler* why on Earth would she encourage a man missing a limb to swim in a pool in the dark when it's just the two of them? She physically would not be able to save him if things went south. That's just dumb. 

4. Goodnight Mommy - I liked this movie. Probably because it was better than I was expecting based on the reviews. Apparently it's a remake of an Australian movie that I haven't seen, but I may seek out now based on this. The premise is super fucking creepy, and Naomi Watts is spectacular (but probably deserves better films than this? What's going on with her career? I don't feel like she's been given worthy parts in at least 5 years. I haven't watched that new show Watcher yet but fun fact I live 2.5 miles away from "The Watcher" house! EEEEEK!). I also think the kids did a really good job - I recognize the one kid from The Boys. I think it's made really well, in that you don't really know who to believe, but also I think it's pretty obvious that ****major spoiler ahead**** Lucas doesn't exist (I figured he was either dead or an imaginary friend). But even if you figured that out, it's still unclear if this woman is actually their mother or not. I wasn't really expecting how dark it got, though. And the ending is super dark, which I loved. It does rely on dream sequences a little too much, but the first dream sequence with her taking off her skin is so well-done. Overall, I think it's weird that this received such bad reviews - it's super creepy, well-acted, beautifully filmed. A solid 3 star movie (which by my standards means good!).

5. Catherine Called Birdy - It's been a long time since a movie completely drained me of any and all energy. I actually started to fall asleep so I stopped it, took a nap, then forced myself to watch the rest. There is just nothing fresh about it. I can't stand Lena Dunham, but it seems like a lot of other people who hate her still concede that this is a good movie, but they are all wrong (I mean, not actually "wrong" because opinions of film can't be wrong, but sometimes they can be...ya know?). And I've heard the name Bella Ramsey before, but I've never connected who it was - and ugh...finding out she's the little girl from Game of Thrones is not a good thing in my book (the acting on that show was the worst part about it). I'm not a fan, mostly because she talks in this really accentuated unnatural way that makes my ears hurt and she kind of reminds me of Lena, which is obviously not a good thing but I'm going to stop now because criticizing a child feels wrong (even though she'll need to get used to it if she wants to continue acting). I wish Billie Piper was in this more because I LOVE her (she's in one of my favorite series of all-time, Secret Diary of a Call Girl). I'm a little confused, though, by the casting of her brother because he looks like he's of Asian descent (maybe Indian?), but definitely not like either parent - so I thought maybe the mom had an affair or something but it's never mentioned? I'm all for diverse casting - but it still needs to make sense....biologically? Anyway, here are some good things about the movie: The soundtrack is very cute ("My Boyfriend's Back", etc.), Joe Alwyn has charisma galore, there is one really, really funny moment when she sees the hot monks and starts stroking the Jesus on the cross statue. I literally laughed for like a 10 minutes (but then I went to sleep LOL). 

Thoughts on 5 Films

1. Bullet Train - This is quite fun. Really convoluted and ridiculous, but quite fun nonetheless. I don't want to talk about the Brad Pitt thing, but I feel like it's necessary - I think it's interesting that there really hasn't been much talk of any so-called "cancellation" after the details of Jolie's abuse allegations were made public. It was like one day of headlines, but no real outcry from the usually vocal crowd. Part of me feels like he's just too big of a movie star and Hollywood definitely needs movie stars right now (this is also why I think Tom Cruise remains as popular as ever even with his Scientology background. People are willing to ignore what they want to ignore when it's convenient). And part of me thinks that maybe we're just waiting for more to come to light. You know how I often go into personal tangents sometimes?? Well, I had this whole huge personal story relating to this incident, but then I deleted it all because we just don't know the truth - and we probably never will. So, I'm just going to move along and talk about the movie. Pitt is the epitome of a movie star, in my opinion, even more so than Tom Cruise (I know many disagree) and he just shines in this - a mix of action and comedy, with his character exuding charm and wit in every turn. But the film is definitely elevated by the talent of the supporting cast and cameo appearances. I think it's been well-established that Brian Tyree Henry and Aaron Taylor-Johnson steal the movie. While the accents are wild, they definitely have a comedic chemistry that is undeniable and super fun to watch (I will be shocked if they don't get a spin-off prequel). Bad Bunny and Zazie Beetz have some really entertaining scenes, Joey King is finally in a role that matches her talent, plus *spoiler* cameo appearances from Ryan Reynolds and Channing Tatum, as well as the expected one from Sandra Bullock (if you don't know Sandy B's voice instantly then we probably wouldn't be friends). I do think it's all a bit predictable how it will all turn out, but there are still some surprises along the way. Also, it's a bit weird to have SO MANY white people in Tokyo (there are literally more white people than there are Japanese people in this movie. Set in Tokyo.). The ending drags a bit, but otherwise just solid fun throughout. 

2. Barbarian - *slightly spoilery* While I think some of the reviews and praise are a little overboard, I did really like this. It's very well-made, structured in such a way that truly takes a turn that I don't think anyone can predict, and has a really strong central performance by Georgina Campbell (a relative newcomer - at least I think? She doesn't look very familiar to me). I was definitely skeptical of the beginning - although I enjoy that it's about an Airbnb fucking up a booking, because fuck Airbnb - I can't wait until that company burns to the ground. But, in all reality, there is just no fucking way this woman would EVER enter that house. It's just plain idiotic - and the "setup" for her being practically forced to enter is even more stupid (all the hotels in the entire greater area of Detroit - a major city - are booked for a conference. Sorry, but even if there were 20 conferences, there would still be a hotel. Or just drive to a busier area and sleep in your car - that would be safer than entering a house with a strange man inside). But, if you get past that - and just "go with it", it does present a good start to a horror movie. I guess we're then supposed to think this woman is brilliant because she takes a picture of his driver's license and doesn't drink the tea he makes her. I kind of figured that Bill Skarsgard was not going to be the villain of the movie - it's just too easy. But, casting him in the role, will definitely make the audience question his intentions (sorry, but he is instantly creepy). The film starts to take an even more horrifying turn when she goes into the very creepy basement (again, wouldn't be me), and it is really effectively done with the pace of the scene, the music, and then her slowly pulling on the rope (I screamed "NOOOO" as my heart began to race). AND THEN. Well, if you've seen it, then you know. But, if you haven't - you will think you know where the story is going, but you will be wrong. And you will be horrified. It drastically takes another turn by introducing Justin Long's character as an uber-douchebag, just defying expectations at every moment. I also think there is some great commentary on how society treats the homeless/the mentally ill/people they assume are drug addicts, etc., and it's definitely not a coincidence that it uses Detroit as the location - a city that continues to struggle with segregation, a constant housing crisis, and economic devastation (if you're not familiar, Collider did a fairly simple but thorough article: https://collider.com/barbarian-detroit-housing-crisis/). Overall, it's a very solid horror movie - one of my favorites of the year (and as a lot of people have pointed out 2022 has been a very good year for horror!). 

3. The Good Nurse - I think with this, I've come to realize that I don't like Eddie Redmayne. Like, it's kind of crazy that he has an Oscar, if you think about it. I think I did like him in The Theory of Everything (which is what he won his Oscar for), but he has not been good in anything else, and in fact, has been absolutely terrible in almost everything I've seen him in (The Danish Girl, Jupiter Ascending, the Fantastic Beasts movies). He's, once again, very awful in this. His American accent is unbearable. But the saving grace, as per usual, is of course, Jessica Chastain. If she wasn't giving such a strong performance, I may have fallen asleep about 1/2 way through. It's an interesting story; just not told in any exciting way. The beginning is a little suspenseful - which is exciting because I wasn't expecting it (I actually had no idea what this was about before watching it - just that it starred Chastain and Redmayne and *somehow* they are *not* playing siblings???). It's based on a true story, but if you aren't familiar and don't want to be spoiled, then *warning spoilers ahead*. I think this could have been better as a miniseries, and maybe if we got to know the victims a little bit; maybe some more information about just how he kept getting away with murder, etc. Although his reason for murdering people is quite chilling ("they didn't stop me"). The whole thing is quite chilling actually - we put so much trust in certain professions, like nurses, it's unfathomable that someone can just keep hopping from hospital to hospital killing people (and even crazier that he admitted to 29 murders, but they think the number is closer to 400. How does it jump that far??). It does start to get intense once she starts helping the case - like when he just shows up to see her daughters. I just wish it had more depth, more insight, something to make it memorable. 

4. The Unbearable Weight of Massive Talent- This was a little disappointing for me. I'm not the biggest Nicolas Cage fan - I'm not not a fan, but I don't belong to the cult of his fanbase. I do think he's been great in some films (and some of his films are among my all-time faves - like Face/Off). BUT, I am a HUGE Pedro Pascal fan. I saw the trailer for this before The Lost City and I thought it looked really good. And fun. I think a lot of movies are missing the "fun" part nowadays (The Lost City is a great example of a movie that focused on being fun). Plus, it mostly got good reviews (even some 5 star reviews from people who I usually agree with!). But ultimately, they showed most of the actual fun parts in the trailer, and overall, I was a little bored. It's a great concept, but the whole meta thing has been done a billion times and other than the Nic Cage/Nick Cage thing, there really isn't anything special here. It's very predictable and seems to drag on forever. Pascal has a tendency to over-act sometimes (see: Wonder Woman 1984), but I think it works up against Cage in this. I've said it multiple times, but I really don't like Tiffany Haddish and I totally forgot that she was in the trailer, so I loudly groaned with disgust when she appears. However, she's not that bad here - I don't think she's really given much to do, so she really makes no impact on the film whatsoever. Other thoughts I had while watching this: (1) I hate the CGI de-aging stuff with a passion. It's awful here - Cage talking to his past self is completely unnecessary and could have just been easily cut altogether. (2) I totally forgot Monica Potter was in Con Air (another GREAT Nic Cage movie). I met her about 13 or so years ago and she was lovely. (3) The shot in which Cage is looking at a statue of his face and then the images merge together is fucking gorgeous. Seriously, what a shot! (4) I'm sorry, but people who cite Paddington 2 as a perfect movie really need to get their shit together (I'm not actually sorry *shrugs*). (5) *spoiler* LOL at the Demi Moore cameo. 

5. See How They Run - I liked this a lot, but I do question whether I would have liked it as much if it didn't star two of my favorite actors - Saoirse Ronan and Sam Rockwell. They are a match made in heaven with this film - seriously, I could probably watch them banter back and forth for hours without getting bored. Just delightful. Plus, I really like Ronan doing something a bit different, and showing her comedic timing. The film itself, is a very typical whodunit mystery in the same vein as Clue or Once Upon a Crime, both of which I loved - so for me, I was entertained for this. It kind of felt like a less quirky Wes Anderson film (which can be both good and bad, depending on how you feel about Wes Anderson). Aside from Ronan & Rockwell, there are some other really strong supporting actors - Ruth Wilson, David Oleyowo, etc., but there are also some actors that I simply don't like - Harris Dickinson has the charisma of a garbage bag. How is he getting roles? I'll just never understand. And Adrien Brody is a decent actor, most of the time, but that doesn't mean that I have to like him. He's incredibly annoying and full of himself, and an entitled asshole. Anyway, there are some really, really funny stand-out moments and colorful characters. My favorite bit is when Rockwell learns that the cops don't have guns in England and he responds "but how do they kill the bad guys?" and then later they callback to it with Ronan yelling at the "bad guy", "stop! in the name of the law!". There are also a lot of references to Agatha Christie (as it is a centerpiece of the film - a murder in a theater that is running a play based on one of her stories. She's even a character in the film), my favorite being when a character says casually "perhaps they were all in it together, sir" and then shrugs it off. I think there are probably a lot of smaller moments of reference and funny bits that I would probably pick up on a second watch. 

Thoughts on 5 New TV Shows

1. House of the Dragon - I'm so mad that I started watching this fucking show. I had no plans to watch it, but then reviews starting rolling in and everyone started saying great things about it (some even giving it 10 out of 10 *AHEM*), so I was like "well I guess I have to watch it!". But I definitely didn't. It's so blah. Every single thing that has happened so far has been incredibly predictable (I'm on episode 6, I think) and I hate every single character. I will say that the acting is FAR better than it was on Game of Thrones, though, so thank fuck for that (90% of the acting on GoT was awful - the only exceptions were Dinklage and Headey). I usually do prefer when they do time jumps that they get new actors instead of aging or de-aging the actors, but it's super weird that they only replace the two main actresses. And it's even weirder that the "older" actresses don't look that much older than the younger versions. I do love Olivia Cooke though - she's definitely a big draw for me. I also think that the other actress is great too (sorry, I'm having a lazy day and don't feel like googling her name), but she also looks identical to Hunter Schafer from Euphoria (I honestly thought it was her until I saw someone else say she looked like Hunter - baffling that those are two different people!). Paddy Considine is one of the greats, obviously. My only real problem with the cast is obviously Matt Smith (I know I've mentioned several times how much I hate him). I know I'm in the minority with that one, but I honestly can't understand how anyone thinks he's hot, but also he's a terrible actor too! I also think it's absolutely psychotic that people root for this couple??? Just baffling. Anyway, I don't really expect it to get better, but I'm somehow still invested so I'll keep watching (obvi). 

2. Reboot - This is cute! I thought the idea of it was kind of dumb, but that cast drew me in! Rachel Bloom! Paul Reiser! JUDY GREER! ELIZA COUPE! All just terrific. Bloom is definitely the standout. Her and Reiser have incredible chemistry as father/daughter. And after watching the pilot episode, I no longer think the idea is dumb because it is definitely taking the "sitcom" in a new direction. We are getting this influx of reboots. The Fresh Prince, Saved by the Bell, Full House - all have reboots. And SURPRISE! You know what else apparently has a reboot?? Reiser's Mad About You! I found this out because I thought to myself "wow, I really miss Paul Reiser" (I know he's in Stranger Things, but he's not funny in that) and I used to LOVE Mad About You - so I googled if there was ever talk of a reboot and apparently it already exists! It's listed as a "Spectrum Original". What the fuck is that? Another streaming service?? Ugh. Anyway, back to this show, I think playing off of the "reboot" idea works really well. The show moves really quickly, has some great one-liners, is easy to binge-watch, and has some great back and forth between the different generations, with great commentary on what's considered "acceptable" within the comedy realm. It's also genuinely funny while also being fairly broad comedy (I honestly laughed out loud when he said he made reservations at "The O.G" and it's The Olive Garden). Also, my favorite TV dad shows up in the last episode (Sandy Cohen!). I can't wait for season 2 (*crosses fingers that there will be a season 2*)

3. American Gigolo - I have no idea how this ended up on my watchlist? I feel like I saw a trailer for it and it looked good, but it's not. At least so far. I think I'm on the 4th episode, but not much has happened other than someone getting murdered in the beginning. And then they just talk about it for 4 episodes. I'm waiting for the rest of the story to emerge, but I'm afraid that it's not going to? I like Jon Bernthal a lot, but I really, really, really like Gretchen Mol. I've always been a big fan of Rosie O'Donnell (I used to watch her talk show every single day. Recorded it on a VHS tape so that I could watch it after school), but she is giving one of the worst performances I've ever seen and it's making me sad. It's like she's trying too hard to be nonchalant, but it doesn't even make sense for the character because she's playing cop who actually cares about solving the case. It's so weird. I watched the movie version that the series is based on quite a while ago, and I don't really remember it, but I thought I liked it. It doesn't even feel like it's in the same universe as this show is, though. I also don't think the non-linear story is working at all - the timeline is confusing and so far none of the episodes have felt cohesive at all. On a side note - I'll never understand attractive women paying for sex, though. Like literally just go outside - an attractive man will have sex with you. For free! Anyway, I'm not really invested at all, but I'm hopeful that it will get better? Please? 

4. Andor - I was really looking forward to this. I LOVED Rogue One - honestly, it's one of my favorite Star Wars projects. I also LOVE Diego Luna, but was pleasantly surprised to find out that Adria Arjona is in this. Unfortunately, I'm not loving it. I don't dislike it, but I'm 4 episodes in and...not much has happened? I really like the vibe of it, though, because it feels kind of Blade Runner-esque. It's darker, more adult-like, but I'm also waiting for it to pull me in. Also, there is another actress in this that I really don't like - the one that's in that movie Monday (I didn't like her in that, but was willing to give her another chance, but I hate her in this too! Again, too lazy to google her name *shrugs*). She's kind of ruining things for me even more. I don't have much more to say about it but it's still early, though, and like I said, I like the vibe of it. 

5. Last Light - It's been a long time since I've been stuck watching a bad television show (and I mean genuinely bad, not like HotD, that is a well-made show that I just don't like. There's a big difference) - I've been much better at limiting my viewing, plus television is good now! Even some of the bad shows are good by comparison to actual bad shows (not sure that sentence makes sense, but it does in my head). But this is bad bad. Real bad. Luckily it's only 5 episodes long, so I'm not stuck watching it for 11 seasons (*ahem* The Walking Dead). And I think it's a mini-series and it received mostly terrible reviews (that I saw after watching it!), so it's doubtful that there will be another season of it. The reason I watched it is for Matthew Fox; I've been a fan since Party of Five, but even more so with Lost. He's an incredible actor and is waaaay underrated because he's known mostly for television and has never quite made the jump to solid film roles. Well, unfortunately, while watching this, I was bored and googled him out of curiosity because I *thought* he was one of the "good guys" in Hollywood, but apparently he might not be??? I never heard about the alleged assault (he was accused of punching a female bus driver) nor had I heard about the accusation from his Lost co-star that he "beats women", which is a pretty serious accusation to make for no reason? Also, I'm confused as to whether he is still with his wife - some websites still have them married (to the same woman for 30 years!), but some have them separated or divorced - but I couldn't find anything about him being abusive towards her. But again, there must have been a reason this accusation came to light? So disappointing, but I guess it's not that surprising anymore. Anyway, the reason the show is so bad is simply because it's boring. Like, so boring for a show about a global apocalypse type event. It's desperately trying for a World War Z kind of vibe, but it fails miserably. I do like the actress from Downton Abbey, though! I don't think I've ever seen her in anything else so it was a little jarring at first, but she's adorable. 

Thoughts on 5 Films

1. Stars at Noon - Well, Taron really dodged a bullet here didn't he? For those who don't know the backstory - Taron Egerton was supposed to star in this after Robert Pattinson dropped out due to Covid scheduling issues, and then Taron dropped out due to personal issues (his mom had Cancer). Obviously, I would have preferred Taron had no personal issues and continued in this role, but this ended up being very bad. I rated it two stars, but one of those stars is simply because I like both actors and they deserve better. Honestly, when I heard Taron took the role, I was skeptical about it (I've only seen one Claire Denis movie, High Life, and it was awful); it didn't seem the right role at the right time for him (yes, I have his entire career trajectory planned out in my head - and yes, the Netflix movie he is filming right now is the right move to get his name more recognizable). It was sort of ironic that Joe Alwyn took over the role because Taron has talked about not getting the lead role in Billy Lynn's Long Halftime Walk (another bullet dodged), and it really upset him (the role went to Alwyn). I really like Alwyn - he has a really strong screen presence, and he gives these really interesting, quiet, introspective performances. You can tell that there is a lot of emotion and thought in his eyes. I also really like Margaret Qualley. And like I said, they deserve better. There are so many choices in this movie that irked me beyond repair. Like the overwhelming elevator music when our two leads meet?? WHY? It's annoying. Also, both characters are very unlikeable and annoying - and I'm not even sure if that's supposed to be done on purpose? I feel like the audience is supposed to root for them? But nothing about their interactions feel genuine or authentic at all. I just don't buy any of it - the characters, the romance, the plot - none of it. Her hair is fabulous, though. And I love that they kept it very big and frizzy because that is, in fact, what her hair would look like in that humidity (probably the only thing that felt authentic in the whole movie). I do appreciate the sex scenes - I know more and more films are shying away from these steamy, but unnecessary sex scenes, but Denis seems to have no problem keeping it all in. I do wish that the leads had more chemistry (but again, I can't tell if this was done on purpose), because it makes even the steamiest scenes fall really flat. At least with High Life, there are a few stunning shots (actually there is one that I think about regularly), but this is ultimately very boring. There are so many unnecessary moments dragged out for seemingly no reason at all. And it's weird that there is all of this political commentary in the backdrop, which I'm not familiar with (political strife in Nicaragua), but this movie is definitely not helpful at understanding any of it. A little background would have helped immensely. I'm a little annoyed that I paid to rent this - I'm very good at waiting it out, until it's released onto one of the streaming services I already pay for, but I was really curious about this so I became impatient - and it definitely wasn't worth it. 

2. Beast - This was way better than I expected. Not necessarily a great movie, and probably not something that I will remember years from now - but it was very tense and entertaining, with some strong performances. It's kind of like The Grey, more action-packed, but the allegory is still there - with battling a "beast" as a way of seeking redemption for not being a good husband or father. Idris Elba is very good, as expected, but the actresses who play his daughters really stood out for me. I'm really against any kind of zoos or even those open zoo things that call themselves "safaris" (there is one in NJ that is part of Great Adventure I think, but obviously it's not an actual safari - it's in NJ for fuck sake!), but I would LOVE to go on an actual safari adventure and see animals in their natural wild habitat. But I am also convinced that lions would love me - like they would sense my aura and know that I'm not a threat (I *know* that's not how it works, but...still...maybe??). The movie gets a little boring and repetitive, because obviously they are not going to kill off the kids, but I was still entertained for its entirety. I also laughed hysterically when he punches the lion (somehow so much funnier than when Neeson punches a wolf). I also like the little Jurassic Park references (the daughter's t-shirt and the ending is definitely a reference - expected, but brilliant!). 

3. Rosaline - This is super cute! I would have been obsessed with this if it came out during my teenage years. I'm a bit of a Shakespeare junkie now, but I was a huge Shakespeare nerd as a teen. And I LOVED (and still love) movies that adapt Shakespeare for a modern world - like 10 Things I Hate About You (which is The Taming of the Shrew) and speaking of that movie, someone on Letterboxd pointed out that Kyle Allen (who stars as Romeo) looks like Heath Ledger and HOW HAVE I NOT NOTICED THAT BEFORE?!! He's such a cutie! But the resemblance is uncanny. Anyway, this doesn't do the modern story thing, but instead focuses on a side character - which has been done before, probably most famously with Rosencrantz And Guildenstern are Dead. Rosaline is Juliet's bff in Romeo & Juliet, but believes the greatest romance in history, should have been her story. They modernize the language and change the plot in really fun ways (especially the tragic end - probably would have made this "cute" story less "cute" if they both commit suicide LOL), and I dug it all. I've said this before, but it stands even more so now, Kaitlyn Dever is A STAR. Ditto for Isabela Merced. The cast work together really well in this. The whole thing is just very likeable. 

4. Blackout - I really like Josh Duhamel and Abbie Cornish, but obviously this got some terrible reviews. It even has a 1.7 star rating on Letterboxd (a site in which users regularly hand out 5 star reviews to movies they simply "like"). So, I knew going in that this was bottom of the barrel type stuff. And yet I still pressed play because I was in the mood for a quick trashy action thriller before going to bed and this fit the bill. Both Duhamel and Cornish should have much bigger careers. They definitely carry the movie because literally everything else about it is God-awful. The supporting actors, including Nick Nolte, are terrible. The story just...starts, with no real set-up, plot or character introductions - and then never addresses any of these essential elements for a movie. I think it's trying to be a bit like The Raid, especially with some of that wild camera work, but it just fails miserably. The worst part, though, is that they have Abbie in this white button down shirt that clearly doesn't fit her - and it's not even in a sexy too tight sort of way. It's just ill-fitting and unflattering (and anyone in costuming or wardrobing knows not to put a button down on a woman with larger breasts unless it's specifically designed for larger breasts...it's styling 101). Anyway, I did laugh hysterically at one part - when Nolte is flabbergasted that nobody noticed Duhamel who he describes as a "6 foot 3 Ken Doll". 

5. Raymond & Ray - Mildly interesting, but never really goes to the depths that it could - and instead opts for a more "ew" factor than an emotional one. But before I get into that, let's talk about Ewan McGregor and Ethan Hawke for a second. It's genius to cast them as brothers because for some really weird reason, I get them confused all the time. More so when I was a teenager in the 90s and they were becoming very popular then. It's such an odd phenomenon because they look nothing alike, and certainly don't talk alike (one is from Scotland and one is from Texas!), but I'm seemingly not the only one who thinks this. The story is about these two estranged brothers who have to bury their also estranged father - but, it's such a weird story, because can't they just...not do it? Like, if their dad was actually that bad, and they have no connection to him, then who cares what happens to him after he dies? Why do people have this weird obligation to do things for people simply because you share DNA? But I get the impact of having closure and finding forgiveness, etc., but the story just moves so slowly. However, back to the "ew" part - *spoiler ahead* one of the brothers has sex with his dad's girlfriend??? WHY? There are millions of women in the world to have sex with. It's so gross and it makes me physically ill to think about - so I'm just going to erase it from my memory. I truly worry for Apple film content (their tv and miniseries are superb, though), 90% of their films have been mediocre at best. 

Thoughts on 5 Films

1. RRR - Well, this is mostly wonderful. I would say that it's superb if it were edited down by an entire hour. But unfortunately, it is a full 3 hours long. However, I will allow it, in this case, because it is genuinely an epic story (while a lot of 2+ hour long films stretch out a story to make it feel like an epic, but it's not), so at least most of it feels necessary (I do feel like it still could have been edited down by about 40 minutes - there are a few scenes that are repetitive and do nothing to advance the story). Other than the length, though, it is hard to find any faults. There is something for everyone, too - a love story, a story of brotherhood, a Shakespearian-like plot of confused identities (although based on Hindu mythology that I'm not going to pretend I know anything about), an epic Bollywood dance-off, and some truly spectacular choreographed fight and action sequences. All with the themes of revenge, forgiveness, heroism and loyalty among a political backdrop of race and class struggles in India. I enjoyed it all, but was particularly taken with the action scenes - they felt fresh & modern somehow, but most importantly, these sequences are so detailed and fully realized. I can tell that a lot of hard work and passion went into creating these scenes, and I feel like that's becoming very rare nowadays. This isn't a film that I would recommend to a lot of people (the length and the subtitles will put off pretty much everyone I know, unfortunately), but if you have a passion for filmmaking, then this is a must. 

2. Halloween Ends - *some spoilers ahead* It's not amazing or anything, but it's certainly better than Halloween Kills, and more interesting than Halloween (2018). And it's one of those films that I thought about for a little while after, and the more I think about it, the more I like it (originally rated it 2.5 stars, but now I'm thinking it might be a solid 3 star film). I like that the beginning sets up a new storyline within the Halloween universe instead of just rehashing the same thing. I really like that they focus on the cycle of violence route - how evil can be born through trauma and also how trauma can affect your brain in wild ways (as Laurie refers to it as "an infection"). *personal story ahead* My mom often talks about how nice my dad was when they first met; she described him as peaceful, quiet, nurturing even. But then his best friend died in a car accident and he just shut down completely and started doing hard drugs. She says that it changed his whole personality and he started to blame her for everything that went wrong in his life (and then the violence started). I used to think that she told me this to make me feel better about sharing DNA with him and also as an excuse for herself as to why she stayed with him for so long, but I always assumed that my mom just didn't see the early signs. But, who knows? Maybe both of those things are true (it also was a great way of keeping me away from drugs LOL. I was terrified of them - to the point that I wouldn't even take pain killers). Anyway, I think that exploring this idea and sticking to the psychology behind Michael Meyers and "evilness" (which has been explored a lot in the earlier films) is a good way to "end" the story. However, the actual movie isn't that good. There's some terrible acting on display (the three bullies, in particular, are off the charts awful). It's very poorly edited (Laurie's granddaughter is at work in one scene and then suddenly walking out of her house - is it the same day? who knows?). The last 30 minutes focusing on Laurie and Michael is actually kind of boring and predictable (did anyone believe that Laurie Strode would even *think* about suicide?? Be real.). The whole "evil dies tonight" from Kills is the worst mantra ever, but I like that they end it with "evil doesn't die, it changes shape". Also, the main guy does a really great job - he's about the only one that can actually act, so he stuck out like a sore thumb, but he definitely carries the whole movie. 

3. Resurrection - This movie hit me pretty hard. I don't like to watch trailers or read plot summaries before watching a movie, so I usually just hear about them from quick snippet reviews and film twitter. But sometimes that's a mistake because I end up watching something that really fucks me up (or is "triggering" as they say nowadays). If you just read the above paragraph on Halloween Ends, then you can quickly decipher why this might be hard for me to watch. So, in relation to this movie and to the personal story told above, I'll continue it: my mom eventually escaped my father (like literally escaped) and I was/am always terrified of him showing up. Luckily, I did have the advantage of him being in prison for most of my life (drug & weapons charges - smuggling, selling etc.) and when he would get released (a ridiculous amount of times - the prison system in America fucking sucks), he would just go right back in for violating parole. I was forced to see him for my grandmother's funeral (they let him attend with an entire police squad surrounding the cemetery) and it was actually really relieving because he was not the man I imagined. He was old and frail - the drugs had definitely taken a toll; he was no longer this towering aggressive presence. I haven't let my guard down yet (and I won't until he's dead), but it helped a lot. Anyway, back to the movie - I can definitely relate to that feeling of constantly having to look over your shoulder, but I can't even imagine how it was for my mom. To constantly live in fear that someone wants to hurt you and/or your daughter is terrifying. Rebecca Hall is stunning at nailing this fear. There is a scene in which she tells her intern what is happening and from an acting perspective, it's the stuff of dreams (from a storytelling perspective, though, it's dumb - she wouldn't hold it all in for years only to tell essentially a stranger). She delivers an absolutely perfect monologue - just a masterclass in acting that will likely go unnoticed. I like that the story makes you question if we are dealing with an unreliable narrator (is she crazy? hallucinating? paranoid?), but it also feels very grounded in reality. Tim Roth is also perfectly creepy. The ending really goes for it - it's quite surprising, gory and disturbing. Overall, I loved this. 

4. Last Seen Alive - The beginning of this is basically that 90s movie with Kiefer Sutherland called The Vanishing (which I think was a remake??). It's literally identical - he stops at a gas station with his girlfriend and she disappears. FYI, his girlfriend is played by none other than Miss Sandra Bullock (pre-Speed). It's a great catalyst for a thriller, but it's funny that most Letterboxd reviews call this movie a "Liam Neeson movie minus Liam Neeson", which is definitely true. Although, Gerard Butler often makes these types of movies too. And I LOVE Gerard Butler, which is weird because he's not generally my type so I'm convinced it's just the accent. And I genuinely think that he's a good, solid actor. I kind of like that he keeps his accent in this, but it's sort of Americanized and never really addressed. I also love Jaimie Alexander - she is stunning and she deserves to be a much bigger star. I thought her career would take off after the Thor movies, but I am disappointed that she's relegated to the kidnapped wife role (and therefore barely in the movie at all). *spoilers ahead* It's obvious from the first minute of the kidnapping that there is a twist because no woman would walk over to a stranger calling to her. Ever. But it doesn't make sense as to why the cop is such a terrible cop, and that Butler's character is questioned as possibly being in on it, when there is no proof of that at all - and that would be the worst way ever to get rid of your wife (so many things could have gone wrong in that scenario). So I assumed the cop was part of the twist, but he's not...I guess he's just a terrible cop, then? It's pretty stupid when you think about it. The plot actually goes a little crazy - and also becomes terribly uninteresting. I think I started scrolling through twitter about 45 minutes in because it was just all so bland. 

5. Athena - I think my expectations were too high for this. I saw a few people really hype it up, especially the opening scene. I agree that the opening scene is fantastic (more on that in a second), but the rest of the film is just one big ball of clutter - there is no emotion, no real plot - just a catalyst for chaos, and no character development. Sometimes this can work brilliantly, like with The Raid, but this is too important of a story to not tell it. Instead of something powerful and meaningful, it becomes spectacle. But back to that opening scene, because it is really brilliant and quite a technical masterpiece. It's a long tracking shot sequence that's a single take (it's quite long too - not sure of how many minutes), but it is filled to the brim with action that seemingly sweeps through an entire city - crowds move through open spaces, our focused characters moving among them through buildings and on rooftops, there's chaos filling every single space. You get an instant sense of the passion and anger among the crowd, rooting for them to cause the aforementioned chaos. But then, it just never lives up to its own hype. Certainly not a bad film, but definitely a let down. It's well-made but meaningless. 

Thoughts on 5 Films

1. Here Before - I watched this for Andrea Riseborough because she's so good in smaller psychological thrillers like this. She is fast becoming one of my all-time favorite actresses. She is relatively unknown here in America, but I think that will change soon. I think the plot of this is interesting - she thinks that her new neighbor's daughter is her dead daughter reincarnated. There are a few scenes that are particularly really well-done and creepy without ever being outright scary. It just kind of gets under your skin a bit. Haunting, deeply depressing, but also a little hopeful. I do like that they ended with a twist that explains everything instead of continuing with a supernatural type story. Unfortunately, it moves a little too slowly and is mostly forgettable. My only other comment is that I really like the woman who plays the neighbor - Eileen O'Higgins. I've seen her in a few things and she always stands out (she's really very pretty), but it really, really bothers me when actresses have their ages scrubbed from IMDB. It feeds into the narrative that women (especially actresses) aren't allowed to age. And I can still find it just by searching a bit more, anyway, so it's absolutely pointless. 

2. Blonde - Well, I loved this. I certainly didn't expect to. I read A LOT of negative reviews and criticism - from the misogyny, to the exploitation and disrespect shown to Marilyn and the objectification of Ana De Armas, to the anti-abortion messaging. All of it seemed very concerning. The thing is, for me, I agree that all of these elements are there (to a degree) but...it doesn't make it a bad movie. You can appreciate a movie, and also disagree with its messaging. I also saw a lot of people get upset over an interview with the director, Andrew Dominik, in which he explains that he didn't want to make a movie about Marilyn's life, he wanted to make a movie that explored why someone who seemingly had everything and was adored by millions would still be depressed and (possibly) kill themselves - this was apparently the disrespectful part. But I think it's an interesting angle to her life and watching the movie through that lens, made all of it work so well for me. I also thought about it for weeks afterwards, which is becoming more and more rare. I have also become more and more fascinated with fictionalizing real events and/or people in film and television - and I think this is far more interesting in terms of storytelling than to just film a "normal" biography that is essentially a Wikipedia page. We are so advanced in our ability to find knowledge about literally any subject on the planet, it's not that hard to look up Marilyn Monroe's life if that's what interests you. I read a book about her called The Girl, it was a nice read easy read that showed how passionate she was about acting, how well-read and intelligent she was, etc. This movie, however, was based off of a fictional account of her life by Joyce Carol Oats (I have not read it, so I'm not sure how much was changed). There's a lot of things in the movie that seemingly go too far - one is the multiple scenes of sexual assault. First by a studio executive - which allowed her to get her big break, and the second, being a full-on rape - with the assaulter being none other than JFK. I think it's hilarious that anyone is offended by these two things. If you think Marilyn didn't sleep with executives to get parts, then I think you're delusional. I read a biography on Natalie Wood that broke my heart because it was filled with all of these incidences with respected and adored famous men that Wood had to navigate in order to be successful in Hollywood (from being "special friends" with Frank Sinatra when she was 14 years old, to an alleged rape by Kirk Douglas). It's how things were done, and still being done in a lot of ways. It's changing, but slowly. I don't think Dominik is judging her for it, or expecting the audience to judge her for it, but I think it's safe to assume that maybe it's something that made her miserable? It's not misogynistic to show misogyny existing! Should I say that louder???? Because I feel like people don't understand that concept at all. I think the JFK thing is interesting because it's so shocking to see someone actually...go there. The Kennedy family is so fucked up and they got away with so much shit, it's not all that hard to believe that our beloved JFK was a rapist (and they never actually say that it's JFK - they just call him "the president", and used an actor who has portrayed JFK in multiple projects - which is also brilliant!). I do think it's kind of fucked up to invent a rape, but it makes sense in the context of the movie, and I don't know...it's kind of refreshing to watch someone take a risk like this. I'm not even close to being done with my thoughts yet, which is also why I loved this movie. There's A LOT to talk about. To continue with the story/controversy part - I was actually expecting way more sex and nudity considering that it received an NC-17 rating. It's actually not that bad at all. And I didn't really feel like de Armas was objectified at all. She, herself, said that she didn't understand the rating and she was fully aware of the nudity before signing on to the project. The only part of the criticism that I will agree with is that this is definitely anti-abortion propaganda. There are several scenes that show Marilyn's regret over abortions (that are seemingly also fictional, which is a weird thing to fictionalize because she always was really open about wanting kids and a family. I don't think she ever had any abortions, but again - it might have happened and it might have been something that made her depressed). But I also think that people have a right to their opinion and are free to express this within their own art - and the abortion thing is complicated. There's nothing in the movie that is necessarily anti-choice. Again, I don't think Dominik is judging her or women for having abortions, but he's speculating that it might effect their mental health (and I, as someone who is pro-choice, agree with this sentiment. I personally would never do it for fear that I would hate myself forever. It's okay to think that! Everyone is different, and for someone else it might not effect them at all.). Okay, I think I'm done with all that - so on to the actual movie. I think it's beautifully made - it's thoughtful, eerie and harrowing, and stunningly lit. I know lighting is a weird thing to focus on, but I saw a tweet not that long ago that said "does anyone know how to light a fucking movie anymore?" and it made me laugh because no - nobody knows how to light a movie anymore. But this is spectacularly done. Ana de Armas shines in this - just absolutely stunning. I don't think it's hard to do a Marilyn Monroe impression - but she does a wonderful job at capturing her essence. The accent is a little distracting, but I got over it pretty quickly. It's wild how much she looks like her, too - just add the blonde hair and the mole and BAM. I was surprised by the supporting cast - a lot of talent displayed. Julianne Nicholson, Sara Paxton, Bobby Cannavale, etc. My biggest complaint isn't going to shock you: it's way too fucking long. I'm way more bothered by that than any of the controversy. Edit your fucking movie, people! Also, I cringed every time she called the men in her life "daddy". 

3. Moonfall - What a ridiculous fucking movie. And not the good kind of ridiculous, either. In theory, it should be the good kind of ridiculous - it's basically Independence Day and Armageddon combined! And it has a decent, well-liked cast. Patrick Wilson, Halle Berry, Michael Pena. But unfortunately it feels like a commercial for Lexus and Colorado tourism. And Elon Musk propaganda. And I guess we're just letting the conspiracy theorists win this round??? It's just so terrible. But it is still entertaining, I guess. And they legitimately try to explain how the Earth and humans were created, so I have to respect it for that. I actually would have rated it 3 stars if it had a hot guy, perhaps (sorry, I love Patrick, but he's not exactly hot). I think they tried to pull in a younger crowd with the plot revolved around the son - but he is a very terrible actor, so that backfired a little bit. It doesn't really do anything new or have any lasting emotion, but worst of all - it's just not fun. Also, do not watch this movie with someone who is very into science and space stuff because he will tell you every ridiculous thing that is scientifically impossible (my husband. Do not watch this movie with my husband). 

4. Memory - In an ironic twist, I have absolutely no recollection of watching this movie titled Memory. But then I took a glance at my notes, and remembered that it's another generic Liam Neeson action movie. For some reason, I can't stop watching them! I noticed that there are two more added to streaming (Blacklight and The Marksman) and my brain just instantly goes "I'm IN!". According to my notes, I didn't hate this. It's weird that Guy Pierce is in another movie about someone losing their memory and writing stuff on their arms. There's definitely something in this about trafficking undocumented minors, which seems important, but the film is too generic and dull to make any real impact. It's also very long - and has about 5 different endings that aren't the actual end of the movie. I did think some of the shots were cool (and there is a great scene in which someone gets shot on a treadmill that is done very well - and I do actually remember that!). Neeson is a wonderful actor, but he is definitely just phoning it in at this point. It kind of makes me nervous for him - is he okay? Has someone checked on him? He did that hilarious cameo on Atlanta - that literally made me do a double-take because he basically doubles down on his racist comments. But other than that it feels like he's sleepwalking through his performances and collecting a paycheck. 

5. Hocus Pocus 2 - I know that the first one has quite a large cult following, but I was never really into it. I was more of a Practical Magic girl, if we're talking witch stories. Part of the reason is because I'm not a big fan of this cast of witches - I hate Sarah Jessica Parker (always have, probably always will), and I think both Bette Midler and Kathy Najimy are a bit...grating. But, I will admit that together, the three of them have some really fun chemistry and I think they brought that same energy back for the sequel. I had fun with it - it's cute, light and has some real laugh out loud moments. There are some really fun musical moments - just like the first. For real, I smiled through the entire "One Way or Another" scene. Just pure joy. I wish Hannah Waddingham had a larger role, because I ADORE her (and she can SING! They definitely should have capitalized on that!). The younger cast is wonderful - especially Whitney Peak, who is essentially the star of the film. She's gorgeous, has great comedic timing and screen presence. I'm not really familiar with the other younger stars - I've heard of Froy Gutierrez before, but only from the Richard Madden dating rumors (I think he's on that Teen Wolf show??), but he is definitely a star. I think we'll definitely see more of him soon. The worst part of the movie is definitely SJP's eye makeup - I know that she had that black eye makeup on for the original, but it is so unflattering for older women. They should have updated it to something that's more trendy but still goth-like. Anyway, that's all there is to say, really. Cute movie - family friendly, entertaining, good stuff. 

3 Thoughts on Don't Worry Darling

1. The Movie - *major spoilers ahead* I don't know why this movie is getting such terrible reviews from critics. It's a beautifully filmed movie - stunning cinematography, style for days, an interesting story, and an acting performance from Florence Pugh that is Oscar-worthy. Yes, it kind of falls apart during the last 30 minutes. And yes, it's kind of obvious that there is a "modern day" twist to it (although I was thinking more of a cult-like group that set-up camp in the middle of the desert to pretend they are living in the 50s and that they were under some sort of hypnosis - I was not considering the *even more* modern day twist of a virtual reality experience). But I can't just discount or ignore everything that comes before those last 30 minutes - and I was absolutely IN for all of it. It's a very likeable movie, which is why I think there is this huge disconnect between critics and audiences (38% vs 75% RT score). Florence Pugh is consistently given very high praise, and she really deserves it - probably the most consistent actress of her age group. Olivia Wilde, on the other-hand, has been very inconsistent. I've been a fan of hers since The O.C., but I have seen her give some really terrible performances in some of the worst movies to exist. But she's also been great in projects like House and...uh...nothing else is coming to mind, but I love her anyway! I didn't realize how big of a role she has in this, but I thought she was excellent - and she fits into this world so well. And as I've said above, it's a very well-made movie. I am one of the few who didn't think Booksmart was that great. It's an okay movie, but I don't think that there was anything particularly exciting about it - anyone could have made it, really. But I think this shows what she can do far more, so it's unfortunate that it got overshadowed by controversy and the fact that critics are very influenced by their peers (sorry, but it's true - one "big" critic pans it and everyone follows suit). The rest of the supporting cast shine - Chris Pine, once again, proves why he is Hollywood's "Best Chris", Gemma Chan does a really great job practically recreated her robot role that she played in Humans, and KiKi Layne gives a really intense performance that helps create this feeling of uneasiness throughout. I know that it became part of the controversy (more on that later) that her role was reduced, and she didn't really participate in the promotion of the film, but that happens A LOT in the movie business. It wouldn't even have been a talking point if the rest of the controversy didn't exist. And, honestly, I think it serves the story well to not know much about this character. I wish I could just ignore the weakest link in the film, which is definitely Harry Styles, but since everyone pointed it out already - he's not very good. He's not exactly bad, though. I just think he's a bit in over his head. Acting against a talent like Pugh is going to make any amateur actor look bad. His accent is also so inconsistent that it is a huge distraction (meanwhile Pugh's accent is FLAWLESS and her voice is just so soothing). I saw someone try to defend his accent as being done "on purpose", but he's not that good of an actor, so I don't buy that at all (he even admits to not having a clue as to what he's doing - it's embarrassing that he's getting roles over actual actors. Please stop doing this Hollywood!). 

2. The Idea - So, let's talk about this idea, shall we? It's not the most original concept - it's kind of an updated version of The Stepford Wives. But, there is a very fascinating aspect to it, which boils down to the line that occurs during those bonkers final 30 minutes, in which Harry's character says "but you're happy here". I think most are going to focus on the bigger picture of the plot - in which he has imprisoned his wife into this virtual reality 1950s utopia, which is a horrifying idea. The film proceeds to imply that all the women are unaware of what is happening to them except for Wilde (who has a heartbreaking reason for wanting to be there) and Chan (who has an ambiguous end to her story, but I interpret it as her being behind the whole thing - realizes that her husband has failed and decides to take matters into her own hands). But, I'm going to focus on this line of "being happy" because I think it's the more interesting take. And my fascination with it is because it's true. She is happy. She's happy until she realizes that her reality isn't...real. But if it was, then technically, she is living...happily. There's this big push for women to "have it all" that was promoted along with feminism, that always didn't sit right with me. It puts this insane amount of pressure on women that is practically impossible - creating this feeling of being a complete failure all the time. It's bullshit and it also creates a division between women who want a big career and women who want to be either stay-at-home moms or housewives. I constantly have to correct people (both men and women) who describe their mom or a woman in their life as someone who "doesn't work". "Didn't she raise you?" "Yes, but she was a stay-at-home mom" "That's work." "Oh, well yeah, true". And then they feel like an idiot, as they should. And even women who don't have kids or don't want kids are likely still working even if they "stay at home". If they take care of all the household duties while their partner works, then they are still "working" and supporting the household (seriously add up how many hours it takes to clean, do laundry, make dinner, do the grocery shopping, run the household errands, etc. and it's about the same as a full-time job. I added it up once and I think it came to 34 hours per week). And guess what?? Some women are happy doing that instead of "working" for some big corporation that barely pays minimum wage. Why is that so hard for people to understand? I know that I'm speaking in very gender-normative bullshit terms, but my point is more about this idea of being domestic and having that be viewed as something negative or a more submissive role in a relationship. I'm not, in any way, sticking up for the idea of this movie (in case that wasn't clear), I just think it's an interesting thing to think about. She was happy there. Let that sink in. 

3. The Controversy - Unfortunately, it was controversy that couldn't be ignored. And there are so many parts to it - going back to the recasting, the affair between Harry and Olivia, the legal papers handed to Olivia on stage, it's all been fascinating. People can argue that this all would have been a non-issue if Wilde had been a male director (I've seen the tweet multiple times. Blame misogyny!), but I don't buy it - Harry Styles is one of the biggest pop icons in the world; If it were Britney Spears starring in a movie and the male director left his partner and began an affair with Spears, it would be a HUGE controversy. And if a male director lied about firing the lead actor for being an asshole, and it turned out that the lead actor quit instead - it would still be a big story. I don't think we will ever know the truth, but I think it was a combination of both. I do believe that Wilde wanted to make it work with Shia (he may be a toxic, abusive asshole, but he's an incredible actor. There is no denying that), but once she realized she couldn't - the studio let him out of his contract (which is essentially firing someone). Shia is not a reliable source at all, and we don't know the full context of that video that he leaked. I think the most disappointing part of the controversy is the supposed tension between Pugh and Wilde - and Wilde referring to her as "Miss Flo" doesn't do her any favors (although if I were Florence I would adopt that as my nickname until the end of time. "Miss Flo" makes her sound like a badass, confident woman who will take none of your shit). It's always disappointing when there are rumors of two strong women not able to get along on set, because it's such a cliché and always something used against us (and this I'll accept as misogyny, because people don't really give a fuck if two male stars get along on set). It's clear that Florence did not have a good time with this film, and it's also clear that it was so *bad* that the studio supported her decision to not promote it (again, there are contracts involved and stars are legally obliged to do a certain amount of promotion, which is why she *showed up* to the premiere, but did not join the interviews. It was probably a compromise so that she would still participate in future projects). And finally, the wildest part of the controversy, I'm still convinced Styles spit on Chris Pine. There's no other situation that would make Pine look that dumbfounded and disgusted at the same time. And the fact that in Pine's denial of this happening, he offered no other excuse as to what actually happened. It's honestly one of the funniest moments in "behind the scenes" movie history. 

Thoughts on 5 Films

1. Do Revenge - This is a very fun movie, but it is definitely getting far better reviews than it deserves for what it is. It's a campy teen black comedy in the same vein as Cruel Intentions and I think there is an audience that is desperate for them, so as soon as one comes along that is good, it's inevitable that it's also over-hyped. There's a lot to like about this, though. Camila Mendes and Maya Hawke have great chemistry together. I can recognize the rest of the cast as "the guy from Euphoria", "the girl from 13 Reasons Why" and Sophie Turner (who is actually decent in this! There's a first for everything!). They also give a nice nod to Cruel Intentions with casting Sarah Michelle Gellar as the Headmaster (genius. Whoever made that decision is a genius). I like that the story does what teen comedies from the 90s often did - and that is to adapt a classic, but modernize it so much that the audience might not even realize it (this one is Strangers on a Train). It's also got quite a few lines that made me laugh - and a lot of that had to do more with the timing and delivery of the lines, which is quite a testament to the acting - Camila's line "This is shocking news", really shows her talent. The film definitely embraces its outlandish plot, which boils down to the line "I'm a teenage girl, we're psychopaths!". The issues that I have with the film are very minor. It could have easily been 20 minutes shorter (I can even pinpoint everything that should have been cut because it's very obvious - there are scenes that just drag the story). I don't think it was particularly surprising either. *kind of spoiler but I'll keep it vague* I knew that the original story told was not true. I'm not sure why I knew, but something about it didn't seem right and I instantly thought "she's the unwitting target". My biggest issue with the film, though, and sorry, this may be mean, is that there is no way that guy is the popular guy. He's so...mousy (probably the nicest way I can put it). 

2. Petite Maman - Well the runtime for this was certainly appealing. To me, that's already a sign that I'm about to watch a concise and tight story - no filler. I know everyone is obsessed with Sciamma's previous film, Portrait of a Lady on Fire, but not me. I liked it *shrugs shoulders*. It's beautifully filmed but it's not a film that stuck with me. I loved this, though. The beginning reminds me of the book The Secret Garden, which I remember being a really comforting book as an only child who didn't have a strong parental presence in her life (my mom worked 3 jobs at one point when I was a child, and although she never left me, she was very sick when I was around 10. She was in and out of the hospital because they couldn't figure out what was wrong with her and doctors pretty much told her that the pain she was experiencing in her abdomen was "in her head". It turns out that the scar tissue from her botched C-section had wrapped around her intestines causing her extreme pain. I remember weeks at a time where I didn't see her, or anyone really. And I just took care of myself. Got myself to school, made myself dinner, pretended like that was completely normal for a 10 year old to do.). I connect with this little girl so hard. So lonely and inquisitive, wandering through the woods looking for adventure. The story takes an unexpected turn with this fantasy time-traveling plot, but it works so well within this slice-of-life storytelling and natural acting. It's wonderful. I admit that I was confused by the casting because I thought both girls were played by the same actress and then I looked it up and there were two girls listed. And I thought "WHAT?? How did they find two little girls who looked so identical??" only to realize they have the same last name (and are twins...duh, Michelle. I was a little slow on the uptake with that one. LOL.). 

3. Father Stu - I will always watch a Marky Mark project, even if it looks as terrible as this did. I think he's an interesting person. He's obviously someone who is still seeking redemption for being a violent racist scumbag, but is an example of someone who had an opportunity to turn his life around and he took it. Successful career, family man (I think he has 4 or 5 kids - all with the same woman! Which is rare for Hollywood. They've been together for over 20 years, too, which is also rare), and he donates to the underprivileged community that he grew up in. He also openly supports gay rights, even though he is Catholic. I completely understand why someone would feel differently about him (did he deserve another chance after what he did? Probably not.). Anyway, acting in a project with Mel Gibson, is probably not the right move (sorry, but Gibson has not redeemed himself. He's a racist and an anti-Semite, and seems to double-down on it every chance he gets). The rest of the supporting cast is great, though. Jacki Weaver and Teresa Ruiz (she was in Narcos: Mexico, and she is GORGEOUS). The story, on the other hand, is absolutely terrible. Obviously, I'm not a religious person (at least, I hope that is obvious. I make it pretty clear), so this story just seems ridiculous to me. But the biggest problem with this movie is how he treats this woman (played by Ruiz). First, he quite literally stalks her, even saying the words "I don't take no for an answer". He manipulates her into thinking he's also a religious man (he isn't), seduces her, and then ditches her to become a priest. It's fucked. I question his morals, ethics, everything, but I'm supposed to be inspired by his "real" sermons because he gets sick? Uhhhh fuck off. What a garbage human being. It's weird because I think Wahlberg was attempting to parallel his own redemption story, but this "priest" never redeems himself. It is very strange seeing him in a fat suit, though. I don't think I've ever seen Marky Mark *not* fit. Anyway, this is an awful movie - terrible story, far too long, and utterly pointless. 

4. They/Them - *some spoilers* Wow. It's not the worst movie I've seen this year (that's The Weekend Away), but it's pretty darn close. Even though it is terrible, I will admit that I think the title is brilliant - it's a perfectly campy horror device for the next generation (pronounced They Slash Them in case that went over your head). And I will praise the inclusivity of the cast. But that's about where it ends. The plot could be good - it's basically Friday the 13th, but instead of a summer camp it's a conversion therapy camp. But for some reason, instead of a chilling slasher flick, it turns into a revenge horror and the only people that are murdered are the bad people who are trying to convert the gay kids....soooooo....YAY? That's not exactly scary? Also, it's an HOUR AND 22 MINUTES before someone even dies. Before that you just get a few glimpses of a person in a scary mask lurking about. I think the cast do their best with the dialogue that they are given, but unfortunately nothing seems genuine. I do not think teens talk like this at all - and they definitely don't know the full lyrics to P!nk's song "Fuckin' Perfect", a song that is in no way iconic and came out when these kids were 4 years old. I also just have such a hard time believing that this is the same America that I live in. I know that there are still parts of the country that are like this, but I think a lot of the bullying, etc. comes from parents and political figures not their peers. I just don't believe that being gay and dying your hair different colors makes one an outcast anymore (I went to the prom with a girl and dyed my hair blue, neon orange, blood red, etc. and I wasn't an outcast and that was 23 YEARS AGO! Kids are even far more accepting now). There is dialogue in the movie that actually says "so you're gay, big fucking deal!" and that sums up how I feel about this movie. Anyway, Kevin Bacon and Anna Chlumsky are far better than this - I don't know how they thought this movie was a good idea.

5. Men - I fucking loved this! It's definitely not for everyone (obviously. It received mostly terrible reviews), but I think if you liked Mother!, then you will like this. I read a few reviews that blasted it for being too obvious, but just like Mother!, that's what I like about it. Not everything has to be bathed in subtlety. As for Alex Garland, this is his third film as both writer and director - his first, Ex Machina, was excellent. I wasn't the biggest fan of Annihilation, and unfortunately, as I feared, I don't even remember much about it. I also liked Devs (his tv series) for the most part, but it didn't follow through with its ideas nor did it have much impact. I do think it's interesting that his projects are female-centric, but there is an underlying misogyny to the story-telling. I don't necessarily think that's a bad thing though. It's fascinating to watch a man attempt to understand a woman's psyche, with the end result being very messy. I think most men are too scared to even attempt it (and that's one of the reasons we've been bombarded with male stories for so long). And back to the obviousness of this - I think it's really satisfying to watch this as a horror movie, but instead of a supernatural entity, or a psychopathic serial killer, the thing that women are actually scared of is quite simply...men. Every man, all men. We're scared to take a walk in the woods because there might be a man walking as well - and he might follow us home, stalk us, expose himself. We're scared of saying no to a drink at the bar for fear that the man might get angry and/or resentful. We're scared that the men in power (like a police officer) will not listen to our concerns and side with their fellow men. And, in a devastatingly true but heart-breaking admission, we're scared of the men who claim to love us. I think this needs to be obvious - women need to start shouting this from the fucking rooftops. I think I had this huge realization at how clueless men are of this (I'm talking now about the good ones), when I first started dating my husband. *short story time*. I had this man approach me in a parking garage at 5am (I sometimes work that early) - it was dark and there was nobody else around. And for a good 30 seconds as he approached, I thought "this is it". But, instead he just wanted to tell me that he followed my lead by not parking by the open side because it was supposed to snow. He was like "oh good thinking! You're smart!" - completely innocent and then he walked away. I told my husband (then boyfriend) this story and how upsetting it was and it turned into nothing, and he responded with "well, don't you feel stupid". And let me tell you, I WENT OFF. How can he think it was okay for this strange man to approach me in an empty parking garage in the dark??? Why should I feel stupid for thinking I was about to be raped/murdered? Does he approach women when the are by themselves??? It blew my mind that he didn't see this as a problem and I had to explain it to him. I had to tell him that even though he is one of the "good" ones, and even if he has the best intentions, him approaching a woman who is by herself instantly gives her a moment of sheer terror. He did not know. I do think a lot of this fear comes from the media, television, movies, etc. (especially with the rush of true crime stories), and is definitely an overreaction, but I still feel that way nonetheless, and every woman I know feels the same. Anyway, this is why I think stories can be as obvious as they need to be. I like that this idea is enhanced by having Rory Kinnear play all of the different men she encounters - to make them all interchangeable and therefore just as dangerous. It goes a bit bat-shit for the last 30 minutes (but so does Mother!), and there is some crazy unexpected body horror (the knife through the hand is glorious). It also has a bit of a Suspiria vibe (which I've just seen for the first time last year (or was it 2020? Time is non-existent) and really liked it. I think this might be my favorite movie of the year so far (but I don't know, there's something about After Yang that is just so beautiful. It's a close call).