Thoughts on 5 Films

1. The Whale - Well, I really didn't like this, and even though I normally like Aronofsky films, I kind of knew that I wasn't going to like this going into it. It just seemed super offensive, and I don't think Brendan Frasier can act. I know that's an unpopular opinion (I have a lot of those), but he's awful and this performance is rough and now he has an Oscar (upside down face emoji). Colin should have won that Oscar. Or even Paul Mescal. Hell, I would have even taken Austin Butler's performance over this. It's just so embarrassing. How do they keep getting the Best Actor category SO wrong ever year lately? Awarding Rami Malek, Gary Oldman, Will Smith, Eddie Redmayne?? Not nominating Taron?? Just a consistently terrible category. Anyway, as for Aronofsky - he's done some of my favorite films (Requiem for a Dream, Black Swan) and I often like even his movies that others don't (like mother!), but this is just so boring. And I think it's meant to recognize and empathize with addiction because it's often caused by trauma and/or loss, but this film fails spectacularly at this because this guy is...uh....a selfish asshole? I have zero empathy for someone who abandons his child. They try to, like, explain it away as if he tried to keep in contact with her but her mother wouldn't allow it, but that is such a bullshit excuse. Legally, he has every right to contact his daughter and have a relationship with her. And his partner's sister takes care of him every day, and instead of being an adult and seeking medical help he exploits her kindness and sense of responsibility. Just an awful human being, in my opinion. And then it also ties together Aronofsky's often used theme of religion. While Aronofsky is never one to be described as subtle, I feel like this film is even more obvious with its connective religious overtones, which makes it even less exciting. There's nothing to even dig into, instead it's all very flat and obvious. Somehow, Frasier isn't even the worst performance here. I've been a big fan of Sadie Sink in the past, but she plays the least realistic rebellious teen I've seen in a long time. I think it's more of a problem with the dialogue and she was very simply miscast in this role, but there is no subtlety or depth to this performance at all. Hong Chau saves it, but I think she gave a stronger performance in The Menu. 

2. Guardians of the Galaxy Volume 3 - I knew this was going to be sad because I read that it was about animal testing. Why they would make that the focus of a fun, family blockbuster movie is beyond me, but I get that they wanted to give Rocket a backstory. It's just so fucking depressing. My husband turned to me in the beginning and said "uh...am I going to cry during this?" (I probably should have warned him...ooops). We didn't actually end up crying, but I definitely found this one harder to enjoy than the previous two. It's still just as good, though. There are some really funny and joyful parts that attempt to balance it out. I like that it has a smaller, more focused plot than what the rest of the Marvel movies have turned into. I have such a hard time keeping up with them all and I've watched them all! Even the tv shows! But they are all so referential and they keep throwing in different multi-verses just to confuse me. Even this one is confusing with the "other" Gamora. And you know what else is confusing?? Why is Laura Barton (Linda Cardellini) the voice of Lylla???? There are thousands of voice actors, why pick someone who plays a different character in the same universe? Anyway, as much as I love these movies, I think this had the perfect ending and I hope they just *actually* end it there (I know they won't - the after-credits scenes hint at spin-offs...UGH). I love the use of Florence's "Dog Days are Over", because it is such a joyful song and now it will make me smile even more when I hear it. Also, Will Poulter is definitely hot now. I know people have been saying that for a few years, but I didn't see it until his episode of The Bear. He also has really great comedic timing and fits these movies very well. 

3. A Thousand and One - I think my hopes were just a little too high for this one. I saw a lot of rave reviews of it, but overall, I think it's just "good". Nothing special, and probably not something that will stay with me at all. I think it does a really good job of creating a specific moment in time in a very specific place - Harlem in the late 1990s/early 2000s. They really got me with the over-size gold hoop earrings that every female character wears. And Puff Daddy talking on the radio. And the Sean John t-shirt. It's all perfectly executed. It also lays out a specific deterioration of our society - the prison system, especially for women and people of color, is one of the biggest failures in America. I like that this story starts as this woman (played by Teyana Taylor - a very strong performance) is getting out of prison and we aren't really given much information as to why she was there because it's not really relevant to her future. At least, it shouldn't be. The whole point of prison is for someone to "do their time", and once released they should, in theory, be able to continue leading a life of substance. I really like the beginning - the catalyst for the story is that she kidnaps her son from the foster system (yet another systemic failure we face), and starts a new life. But then, nothing really happens - and I don't really feel like they show the difficulty of her situation until the end. And I think the story struggles to find a focus with too many underlying themes of redemption, gentrification, a mother's sacrifice, a child longing for stability. I also think it's weird that the year 2001 appears across the screen with the movie taking place in NYC and then...9/11 is never mentioned? 9/11 is a major reason that gentrification happened in Brooklyn and Harlem (just like Hurricane Katrina caused gentrification in New Orleans and the wildfires will cause it to happen in Maui), so it's wild that it's ignored. Anyway, I did like this movie, I just think it could have been much stronger. And the actor who plays the older Terry is not a good actor, so he kind of ruins an otherwise very strong and unexpected ending to the story. 

4. Shazam! Fury of the Gods - Weirdly, I think I liked this more than the first one??? I don't think that's a popular opinion, but I thought the first one was really dull and the kids were terrible actors. This one is just more entertaining, and the kids are still terrible actors, but they are in it a little less (from what I remember?). I feel like the adult versions were featured so little in the first one that I didn't even remember that Meagan Good is one of them?! Anyway, I think the story is stronger here, and it has a great cast - the three sisters being Helen Mirren (!), Lucy Liu (!!), and Rachel Zegler (not as exciting, but I think she's cute and seems sweet - the negativity she receives is kind of wild). Adam Brody isn't featured as much as he should be (the kid version of this character is featured more, but he is probably the best one). And I've always been on Zachary Levi's side (Chuck forever!), but he's one of those actors that doesn't have self-awareness of when to stop talking and he's been a bit grating lately. I also think he cheeses up this character a little too much - and the kid version and him doesn't match AT ALL, which is a weird choice. I laughed a few times (the "WHAT?" after she asks what Comic Con is, is so perfectly executed that I spit my water out. Adam Brody forever!. And I also laughed when Levi pronounces Solomon as "solo-man"), and I enjoyed the little meta references (whether intentional or not), with them referencing the Fast and Furious movies TO Helen Mirren, and they have Rachel marvel at a golden apple (as she's the new Snow White). I do think it feels really long, and I'm so tired of the same songs being used ("Holding Out for a Hero" AGAIN??! I just heard this in Super Mario Bros.!!! ENOUGH!). And I'm SUPER confused by the ending - the Justice Society is the Black Adam one right? That's how they were going to connect them until James Gunn took over, right? But then why are the people from Peacemaker there? Are they connected? Or is that how Gunn is going to connect them? I don't care enough to actually look into it, but I just don't get if they are actually starting over or if they are still going to take *some* elements, which is going to make it super confusing. *shrugs*

5. Asteroid City - As you may already know from reading this blog, I'm not really the biggest Wes Anderson fan, but I always appreciate his style. I mean, I actually think it's super-duper cool that he has such a strong signature, from the set design, to the color schemes, to the camera blocking - one can always recognize any shot and still from any of his films and instantly know that it's a Wes Anderson film. He is one of the very few modern day auteur directors, so my respect for him is sky high. But, it's usually the plots that don't work for me, and I absolutely hate when he features child/teen actors (the storylines are always awkward like in Moonrise Kingdom and I don't feel like any child actor he has worked with has been able to nail the dry delivery of dialogue that Anderson is also known for). I didn't mind this one, though. I was entertained and interested for most of it. I could have done without the teens again, because the memory game scene seemed like it lasted forever and it's so boring to watch, and the two kids trying to flirt is awkward. But I like the sci-fi aspect of it and the alien design is so freakin' cool and unexpected. There are a few lines that really made me laugh ("this just in from the president. He's furious" and then he throws the card. The delivery there is perfect). The cast is mostly made of Anderson regulars who I don't really care for (Adrien Brody. UGH. Scarlett doing her best Debi Mazar impression. UGH. Jason Schwartzman doing his same schtick. UGH), but I like the addition of Tom Hanks and Margot Robbie (who steals the movie with one short scene). Overall, I liked this - solid 3 star movie, like most of his films. 

Thoughts on 5 Films

1. Polite Society - I really liked this! It's fast-paced, has a strong story, and is very funny. Plus, I really like the girl from The Umbrella Academy (Ritu Arya). The entire cast is actually fantastic, but the highlight is probably Nimra Bucha as the soon-to-be mother-in-law because I *knew* she was evil, but she does it in a way that is so deliciously sweet that I second guessed myself a few times. I like that it embraces Pakistani culture but isn't about being Pakistani (which there's nothing wrong with, I just feel like there are so many stories to tell featuring different cultures and identities, but the stories don't necessarily have to be about them *being* that specific culture or identity. Does that make sense?). Instead, it's about a teenage girl who has high dreams of becoming a stuntwoman, who is convinced that her sister is marrying the wrong person and losing her own identity. I don't have a sister, but if she did, I probably would be ECSTATIC if she were marrying a wealthy man (because she would obvi buy me stuff and take me on fancy vacations with her), but Ria is suspicious of him right away (mostly due to jealousy at first). It moves really quickly and is really fun - filled with a few very well-choreographed fight sequences, I was entertained from beginning to end. There are also some very laugh-out-loud moments - the scene where they infiltrate the locker room and they try to walk with "swagger", and towards the end when they get past security by saying "heavy flow" multiple times. Overall, highly recommend. 

2. Renfield - This is another fun movie! I don't always like Nicolas Cage, but he almost always gives his all - and he truly goes for it as Dracula. Nicholas Hoult is a perfect example of an actor that has really grown with every performance, and he also found what he's good at. I really didn't like him until Warm Bodies, but even then I was sort of "meh" on him until The Great, which he is spectacular in. I just really hated him on Skins and then he got a bunch of big roles (well roles that were supposed to be big anyway) like Jack the Giant Slayer, Kill Your Friends, and the Clash of the Titans remake and he was so terrible in all of them. But NOW I pretty much love him. See, I'm very open-minded! Anyway, he's a lot of fun in this, and really plays off of Cage's energy very well. The concept is *very* What We Do in the Shadows, but I *love* that series (and the movie), so I don't mind. I wish it were a bit scarier kind of like the Fright Night remake with Colin Farrell - that felt like the stakes were higher and had some terrifying moments. This is more fun with a little bit of gore. But it's one of those movies that accomplishes everything it's trying to do - so that's a win. I laughed and I was entertained. The bar is pretty low for those two things and yet so many movies fail. 

3. They Cloned Tyrone - I saw the fairly good reviews and the cast consisting of Jamie Foxx, John Boyega and Teyona Parris and I was in. I chose to watch this on Barbenheimer weekend, instead of Barbie or Oppenheimer because the movie theater stresses me out, especially when it's busy. I'll wait a few weeks until after it dies down before I see either of these movies (I don't need to be up-to-date with the latest theater releases and I think it's weird that it seems like a race to watch movies now. Another effect of social media, I think). Anyway, this was pretty good! Not only is it a great sci-fi concept, it's also got a strong conspiracy theory/anti-government stance. It reminds me a bit of what Antebellum was trying to do (which is why I couldn't hate on that movie as much as everyone else seemed to. It had a strong story, it just wasn't told well). Also, as I'm currently watching Oz (I'm almost finished with the 3rd season), I can easily connect the two (while Oz is a more realistic take on the idea that the government is keeping black people down starting with the prison system). Racism is systemic - and we're never going to solve it unless there is a radical change from the top. The movie's biggest success, though, is that it is very quick and it is very funny. It moves very fast - almost too fast, because I found myself catching the joke a moment or two too late. I think my favorite moment is when she's trying to be low-key in the Carmen Sandiego outfit (which is already funny) and then the woman screams at her from across the street "lookin' like Carmen Sandiego". I also laughed at "they Clockwork Oranging us!!". I like that it has a retro 90s vibe, but they talk about bitcoin and have cellphones (but it could have easily taken place in the 90s). It definitely could have had a shorter runtime (could have been a perfect 100 minute movie) and the scene with Boyega in the old man makeup is awful (it restricts his facial movements so much - it's such an important reveal scene, too). Other than that though, it's a solid movie!

4. Transformers: Rise of the Beasts - I know everyone hates the Transformers movies except *somehow* the most boring and dull one, Bumblebee, seems to be highly praised (make it make sense!?), but I love them all. Yes, even Revenge of the Fallen (that's the one that everyone hates, right? I don't remember anymore). I didn't even realize that this was released already and had a theater run and everything?! I didn't really see anyone talk about it or review it, which is weird, and obviously not a good sign. I looked a little at some of the reviews and to no surprise, they were mostly bad. But, once again, I'm going to disagree with everyone. It's fine. Solid 3 star movie and exactly what I expected it to be. I like the cast a lot - specifically Dominique Fishback (I'm rooting for her hard!). I've seen Anthony Ramos in a few things (In the Heights, In Treatment), and he's never really stood out to me but I didn't not like him. He doesn't bother me in the same way that a lot of trendy actors do. He's good in this - very charming and likeable (although I was instantly sold on the character with the Mets hat and the Wu-Tang poster). I was a little confused by the timeline, but that's mostly because I have a bad memory. I guess this one is supposed to be a sequel to the Bumblebee one, right? But for some reason I don't remember that one taking place in the 90s? Hmmmm....? Anyway, I had fun with this. I think there's definitely too many needledrops - and in a row! It's very weird and distracting. I laughed hard at the line "Marky Mark is leaving the Funky Bunch!". It's so cheesy, but it made me giggle (first, because Marky Mark joins the Transformers universe, and second, because I can actually remember when that was big news! I'm old.). 

5. The Super Mario Bros. Movie - I like this movie because my husband liked this movie. I honestly couldn't care less about Mario and the gang, but he was laughing and smiling the whole way through this and that's what movies like this are about. I definitely played Super Mario Bros. when I was a pre-teen, and I remember it being fun, but it's not something that I have any passion for whatsoever. And I tried to play Mario Kart a few years ago and I thought it was boring. I'm not really a gamer, though. I'd rather watch movies. But my husband can be a gamer sometimes - he goes through phases of being obsessed with a new game and then he won't play anything for months at a time. But he was practically giddy watching this and yelled out whenever a character was introduced and when he recognized an easter-egg. It was really cute. And the movie is cute, too. I think it accomplishes what it was trying to do, which is be a fun movie for children and adults. I do think that Chris Pratt was miscast as Mario (and I like Chris Pratt, which is super uncool among film twitter) and I think Mario and Luigi sound waaaay too similar. I almost think that Charlie Day should have been Mario and someone else should have been Luigi? BUT, Jack Black is INCREDIBLE. He has so much fun with this role, and you can really tell he took it very seriously. I also enjoyed Seth Rogen - even though I think his voice is a little too recognizable. Actually it's more his laugh that is recognizable (my husband asked who it was *right before* he did his signature laugh and then he said "oh...nevermind" because even he knew who it was and he never knows anyone). My favorite part though was Blue Flame's dialogue. It's super dark for *kid's movie*, but I laughed so hard (he says stuff like "there is no sunshine only darkness" and, like, longs for death. It's HILARIOUS). 

Thoughts on 5 New TV Shows

1. Dead Ringers - Overall, I loved this. There are definitely episodes that are far stronger than others, but as a whole, I think, it's pretty stunning. I decided to watch the Cronenberg film that it is based on again before I started this (I remember it being one of my lesser favorite Cronenberg films, but to be clear, I love them all except for the DISMAL A Dangerous Method). I'm glad I did because having it fresh in my mind, while watching this updated version definitely enhanced my enjoyment of it. First, I think the gender flip is BRILLIANT. This concept doesn't often work, but it makes so much sense in this context- and I think the story is overtly a female one, considering the subject matter. Second, it takes the usual Cronenberg style of deeply disturbing elements and amps it up even more - to the point in which it's actually quite shocking. But, it's interesting that a lot of the graphic scenes revolve around childbirth - which shouldn't actually be that shocking. As an audience, we are so desensitized by so many different types of violence, but these birthing scenes are so visceral. It feels rebellious and unapologetic, and while I really did not want to see it, I think it's still so effective. Third, I'm not sure if I've mentioned Rachel Weisz much on this blog, but I am definitely a huge fan. She's gorgeous, but also an extremely versatile actress. This is a very challenging role and I applaud any actor that attempts it. But, she fucking nailed it. I'm in disbelief that she was not nominated for an Emmy (the Limited Series Actress category is a a tough one this year - but she gives a far stronger performance than at least 3 of those nominees. I haven't seen Tiny Pretty Things, and Chastain & Fishback deserve those nominations. I think Fishback should win it, but if Weisz was nominated it would have been a tough call). On a funny sidenote - my husband (who does not watch a lot of tv/movies nor does he know who any actors/actresses are) came in the room while I was watching this and he said "oh is she actually a twin in real life?", "who, Rachel Weisz? Ummm no...", "Oh, I thought maybe she was a twin because she was in that Keanu Reeves movies as twins, too", *racks brain to figure out what he's talking about*, "Constantine?", "yeah, that one". And he's right! I'm fascinated that someone doesn't know who Rachel Weisz is and that he just knows her as "the actress from that Keanu Reeves movie" but whatever, at least he knows who Keanu Reeves is, I guess. Anyway, it is a weird coincidence that she's playing twins again, but she's really fucking good at it. Visually, you can tell the difference between the twins because one wears her hair back in a ponytail, but without that it would be very easy to distinguish between them because they are so different and have different mannerisms and expressions. This is just a brilliant performance - anyone who considers themselves as an acting enthusiast should definitely watch it. I could go on and on about why else I love this series (it's visually striking - those red doctor uniforms!, it's quite funny - "you look like a Larry, so I'm going to call you Larry" & the 3rd episode ending with the song "Super Freak" made me laugh hard, the after-credits scene that made my jaw drop, etc.), but it ultimately boils down to the fact that it's super dark, complicated, unapologetically female, and super fucked up. Totally my shit.  

2. Platonic - Very cute comedy series. Rose Byrne and Seth Rogen have a special kind of chemistry and I hope they continue to make stuff together. I don't think Rose gets the credit she deserves because she does more comedic roles, but the fact that she always seems so genuine and natural in these roles and makes it look easy, is a difficult thing to achieve. And she's so fantastic in that other Apple tv+ show, Physical, and that isn't all comedic (and she definitely should be in awards talk for Physical). But, I was also super excited by the supporting cast - the hot guy from Brothers & Sisters (and Bros), who is absolutely a terrible actor but he's HOT and also much better in this than his previous projects. AND Period Blood Girl from Superbad!!! That's her actual character name (look it up! It was a running joke back then with her roles being Toe Sucking Girl and Gag Me Girl in other projects). Her name is Carla Gallo, and she's been in a ton of projects, but I still find that whole thing very funny. She's very good as this side-kick best friend character. I'm kind of shocked that she's 48 years old, which means she was in her 30s for Superbad! I thought she was like 22 in that. Both her and Byrne look incredible for women in their 40s, and it's kind of dumb that they talk about being ignored by men because there is no way any man wouldn't look twice if Byrne walked past them let alone tried to talk to them. I think the show does a very good job at showing this insane pressure that is put on women to "do it all". In one of the first episodes she tells someone "I do not work, currently", as some sort of shameful thing to admit, and I screamed out "GIRL YOU ARE RAISING THREE WHOLE KIDS THAT IS WORK GODDAMMIT"! It doesn't seem like they necessarily need her to work, financially speaking, so it's CRAZY to me that she feels the pressure to go back to work in such a stressful environment. I get wanting to feel fulfilled and like you are contributing to the world, but I don't understand how raising children isn't enough to get that feeling? or like volunteering somewhere? It's definitely an interesting topic, though, and I think Byrne does this sort of pulled in many directions and feeling unfulfilled in a really genuine way. I'm not as impressed with Rogen's character - very typical man-child character that he does often, but he's still very funny to me. There are several very funny moments in the series - my favorite of the whole series is probably when Rogen's younger girlfriend says that she's "from Columbine" and asks "have you ever heard of it?". Byrne's facial expression matched mine exactly at that line. I guess a 25 year old wouldn't understand how triggering the word "Columbine" even is for people in their late 30s/early 40s, but it's still shocking to come to this realization. I also don't think most realize how funny/ironic the line "this is why I moved here from Colorado" is, as they look at a smog filled Los Angeles. I'm really hoping for a season 2, but I think with the writer & actor strike, a lot of shows that would have continued simply won't now. 

3. Silo -  *some spoilers ahead* I like this series a lot, but there are several things I don't like about it. It's a good show that could have easily been great, but some mistakes were made. The biggest mistake is probably casting Common. I'm not sure how or why he became an actor, and how or why he keeps getting roles, but it needs to stop. I actually liked him as a rapper (and I think he still does music stuff, right? I think he won an Oscar for Selma? Maybe I'm wrong, but I don't feel like looking it up), but I've never seen him give a good or even decent performance in anything. And he is absolutely painful to watch. I watched this show because my husband wanted to watch it (although with it starring Rebecca Ferguson, I probably would have had it on my list anyway). He's a big sci-fi nerd and had read the books that the series is based on (and told me a whole story about how this author is friends with the author of The Expanse, which is a tv series and book series that I enjoyed). And while we were watching a scene with Common, he turned to me and said "who is this guy? He's ruining the whole show.", so it's not just me being overly critical. I also think some of it is just really stupid? And this whole concept is just very excessive - the way they send people out to "clean", etc. If it really was this authoritarian post-apocalyptic new world order, they would just kill people who didn't follow along. Like the old woman that they are keeping drugged? Just kill her, why are they wasting resources? Makes no sense. And it's definitely waaaaay easier to just give all the men vasectomies than to surgically implant birth control in all of the women. If it was used to control women, then it would make sense, but women seem to hold high positions and be equal in this world, so it's simply to control the population. But when I pointed it out to my husband, he very flatly said "there is no way men would go along with that. They would go to war before being letting that happen", "so women should start killing people to attain bodily autonomy?", "yup". I mean, he's probably right, but it's so frustrating to think about. Anyway, the plot is all sort of obvious - I knew that there was something in the helmets that was either poisoning them, or making them hallucinate, but they wait all the way until episode 9 to reveal what's happening (I was pretty close). Some of the episodes drag on for way too long (episode 3, especially). BUT, overall, it's got an intriguing premise, and I am definitely interested in what happens next. And every time I pointed something out that doesn't make sense, my husband insists that it will be answered for (because it is in the books). He really likes the show, so I think that says a lot about it because not only is he a fan of the books, but he's often overly critical (even more so that I am!). The cast is great - mostly led by Ferguson, but a supporting cast of Tim Robbins, Rashida Jones, Harriet Walter & David Oyelowo all have moments to shine. And the world building is EXCELLENT, which is very important for sci-fi. It's all really cool to look at, and kind of reminds me of Westworld in a way. 

4. Beef - I'm not sure I agree with the crazy hype for this series, but it's...interesting. Like, it's very watchable and I couldn't figure out how each episode was going to play out, which is definitely a plus. But, it's also really over-the-top and not realistic or relatable in any way (at least I hope it's not relatable???? If it is to you, then maybe seek some therapy???). It starts off a bit realistically with a road rage incident (but again, can't relate - when someone has road rage, I just let them go - I would never, ever pursue someone. And if someone followed me, I would drive to the local police or fire station, or call the police and report them right away). They way these two just don't give up is absolutely insane to me. I do think Ali Wong's character is a bit more insane than Steven Yeun's. I just don't think a wealthy woman would let a stranger into her house. Or MASTERBATE WITH A GUN. What the fuck?! She's a full-on psychopath. I also think they make her look late 40s for the whole show and she is younger than me (I think it's the hair. It changes throughout the series, but it goes from bad to worse). Her fashion sense is also really questionable, too (what the fuck is up with the Blossom hat in the beginning?). While I think Yeun's character is just going through a bit of a rough time and he's had enough of the world shitting on him (that's, at least, understandable). I also think that Yeun is absolutely fantastic in this. I don't think the show or the other performances were worthy of Emmy nominations, but Yeun definitely deserves his nomination for that emotional breakdown in the church alone (Taron should win in that category, though, obvi. Sadly it's probably going to go to Evan Peters, who is also good). He has an incredible voice, too. His version of "Drive" and "Amazing Grace" are both so beautiful. There are a few other things that I really like about the show. The use of 90s music is odd, but also so good. There are some genuinely funny moments (like when he yells at his brother "this is a bot" and his brother types "R u a bot" as his next message. I was dying.). Overall, though, I think it's decent. Not worthy of all the praise. And the final few episodes really go off the rails. I also know that there was some controversy surrounding David Choe that definitely negatively impacted the series because SO many people were talking about it, and then the next day everyone was like "fuck that show and fuck that cast" (I guess the other cast members supported him? I didn't really follow it. It's so hard to keep track of all the awful people in Hollywood). 

5. The Crowded Room - I wouldn't have known about the terrible reviews for this if Tom Holland didn't talk about how bad the reviews were multiple times in interviews. I think that's such a weird approach for an actor to take while promoting the show???? I've definitely heard actors talk about regretting projects or how disappointed they were about reviews from past projects, but usually years later. I think the biggest issue Holland is having with his career is he's being SOOO miscast in things and I don't really feel like he has a passion for any of them. I think he needs to take a step back and really assess the type of actor he wants to be, and the career that he wants to have. I know that he did take a step back from acting for a year because apparently this role really affected him mentally. But I think that's kind of weird, because so far (I'm on the 6th episode), he hasn't really done any acting that seems mentally draining. And as a professional, you should be able to distance yourself (which is why I find method acting such nonsense and unnecessary. I remember when Taron - yes, I'm mentioning him again in the same post, deal with it - was filming Black Bird and he posted videos of him singing and dancing to the Bee Gees between filming and riding a bike around New Orleans, and I thought now that seems like a healthy way of handling a mentally and emotionally draining role.). Anyway, the reviews are right, unfortunately. This show is just plain bad, so far. It's the oddest thing in the world to not reveal the "twist" right away, considering it's a well-known true story. But also, maybe they thought it wasn't well known, so the creators decided to make it a twist? But they are doing a terrible job at it? I'm pretty sure that even if I didn't know that all of these people don't exist, I would still guess it right away. It's such a shame because I do love this cast. I will still stick up for Holland because I think he's adorable and overall a solid actor in the right roles. Amanda Seyfried has given some incredible performances, and in this she's so blah. She's not really given much to do so far, it's just a lot of back and forth dialogue between her and Holland's character, but I don't feel any emotion from either of them. It feels like a table read and not the final product. And speaking of very not given much to do, I practically forgot that Emmy Rossum was even in this (and HIS MOTHER FOR CHRIST'S SAKE! She's only 36! It makes sense in the flashback scenes, I GUESS....) until she is finally given a purpose in episode 5. I also really like Emma Laird (she's the best part of The Mayor of Kingstown) and Sasha Lane. But, everyone else (aka "the crowd") is AWFUL. Also, the makeup they put on Holland to make him look pale and sickly is distracting. I was surprised to find out that Brady Corbet directed some of these episodes (while I didn't love Vox Lux, it was, at least, interesting and surprising in a lot of ways. This is not.). 

Thoughts on 5 Films

1. Magic Mike's Last Dance - I like Channing Tatum a lot, but I don't love these movies. I rated the previous Magic Mike movies 2.5 stars - which I think to most people means "bad", but to me it just means that they are very average. And I would rate this one the same. However, I do think, personally, I liked it a bit more than the previous two. A big part of this is because of Salma Hayek. She's still one of the most gorgeous women on the planet, and I love that she's 56 years old and still playing this sexy siren character. Her and Channing have insane chemistry together, and I definitely rooted for them to get together in the end. While there are plenty of sensual dance scenes, the "Suavemente" one stood out to me because it felt the most natural. The rest of the movie felt a little repetitive and boring. There are a few really great dance performances, specifically, the bus scene is fan-fucking-tastic - I wish it were longer, though. And then the final "show" (the point of the whole movie) starts off painful (her wishing for all these different "dreamy" qualities in men **rolls eyes* *barfs*), but then....it ends spectacularly with the balance of this sensual strip tease combined with the ballet performance. I knew we were going to get a dance in the rain (I think it was in the trailer, maybe?), but I was still stunned by it. I think we have to give credit to Usher for that, though...right? Maybe it was done before him, but I will never forget Usher's VMA performance from the early 2000s where he sings his heart out on a rain soaked stage. Anyway, there are a few parts of the movie that are very bad. The narration by the daughter is *awful*; actually I feel like her entire character was pointless and could have been cut altogether. The whole plot of the movie feels overdone and I don't really understand the point of this whole theater performance as a way of revenge to her husband? The whole movie just feels kind of unnecessary, but I like the romance part (which is weird for me, I think). 

2. American Murderer - Wow...this is a terrible movie. I can't even think of anything nice to say about it except that I will always love Ryan Phillippe (even after he does God-awful movies like this). I didn't really know anything about this, but I saw Ryan on the poster and pressed play (as I do with all of his movies). It's actually an interesting story of a con-man that is based on a real life person, but it's just a terribly made movie. The dialogue is insanely bad and it's so Obvious that he's a con-artist that it's impossible to believe that anyone would fall for any of it (but they did in real life, so I just think the writing is bad here. We, as an audience, are supposed to know he's a con, but we should at least understand how others fell for it). The narrative structure is a little confusing and the editing feels very choppy. There is a strong supporting cast here - and I think Ryan would even be considered in a supporting role. They definitely should have focused more on him trying to find this man (how it effected his life, etc.) instead of focusing on the main guy. I refuse to look up his name because he's that bad of an actor and I hope I never hear from him again. He's soap opera bad (and a lot of big actors started on soaps (even Ryan started on one!) but they learn and grow as actors. This guy was not ready to star in a movie). He also looks like he's 55 trying to be 25 and it's embarrassing. But, along with Ryan, the other supporting actors are Jacki Weaver (in a terrible wig), Idina Menzel and Shantal VanSanten. Shantal also starred in that Shooter tv series with Ryan, so I wonder if they are friends? They would make a cute couple. I think she's married, though. 

3. Living - This is a very sweet movie. It's not exactly something I will remember; nor do I think it deserved the accolades it received (Oscar nominated for Actor and Adapted Screenplay, although I am a big fan of Ishiguro), but it's perfectly Okay. The highlight for me, is Aimee Lou Wood - she's from Sex Education. I've never seen her in anything else, but I'm such a big fan of everyone from that cast. Such strong young talent - and I think they are all going to be big stars (Emma Mackey and Ncuti Gatwa are already well on their way). Wood is so adorable in this - very sweet and charming, and definitely brightens the story a bit. I couldn't really figure out what the plot was until they reveal that he (Bill Nighy's character) is dying. I'm not sure if that was mentioned earlier than when I caught on and maybe I missed it because it's a bit boring in the beginning. But, I still don't think there's much of a plot or story. Also, when his funeral happens, I thought "ok, well that, at least, moved very quickly for a 100 minute movie", but there's still 30 minutes left after that (LOL). The characters aren't completely developed, either, so it all feels very blah. Nighy is...fine. I think he plays the same type of character that he always plays, which isn't necessarily a bad thing, but I don't think that deserves any awards or nominations. 

4. 65 - This movie is...awful. You would think that a movie with DINOSAURS would be thrilling, but there is very little suspense. Or character development. Or plot. As you may already know, I'm not the biggest Adam Driver fan, but I've said nice things about him in a few projects (Star Wars, The Dead Don't Die). I just don't understand how he got SO big SO quickly (and I'm baffled as to how he's already been nominated for TWO Oscars, plus multiple Emmy nominations. He even has a Tony nomination! At this rate, he's going to EGOT and I'm going to want to slam my fists into the wall just like the Marriage Story meme). I think his performance in films like this, really prove my point because as bad as this is, if he was an actually strong actor, he could still shine and make this movie watchable for the acting alone. And I will use Taron as an example for this, because I'm still bitter that Driver was nominated the year that Taron should have been. Because Taron has done some bad movies, for sure, like Robin Hood, but he actually gives a great performance as the lead role - perfectly charming and captivating. He still gave it 100%. Meanwhile, it feels like Driver is literally asleep through 75% of this movie and then he wakes up when a dinosaur appears. I have two nice things to say about this movie. First, the girl who plays his daughter (again, I'm lazy and I don't feel like looking it up, but I will eventually) is a really, really strong actress - and has been in SO MANY big projects, but only in very small roles (Dungeons and Dragons, Marry Me, Gunpowder Milkshake). She deserves a starring role in something STAT. And two, there is one shot that is *on point* - the lightening shot with the dinosaur appearing is SO GOOD (so good that it's on the poster). I wish more of the movie captured my attention like that, but overall I was bored by about 15 minutes in and I never recovered. 

5. Emily - I wanted this to be a bit better than it was. I just think that there has been some really great projects with the same sort of story recently (like Dickinson, Gerwig's Little Women adaptation, and Emma. spring to mind instantly - all much better than this movie). Also, I really, really like Emma Mackey and I can't wait for her to be a HUGE star on the same level as Margot Robbie (who she is constantly compared to, but I don't really see the similarity? They have very different faces and angles). And I thought that Joe Alwyn was in this, because he comes up when you google the cast, but apparently he dropped out of this project and the guy from The Haunting of Hill House took his place. I do like that guy (I don't know his name, but I shall look it up after I'm done writing this), but he's no Joe Alwyn. Fionn Whitehead was so awful in Voyagers so I was weary of him, but he's matured a lot in a very short timespan. But the cast just doesn't wow me like they should - it's all a bit dull and the chemistry is off. There are some stunning shots, but it all feels a little bit like a Terrence Malick parody with them twirling in the grass or running in the rain. As for the story, I don't know much about Emily Bronte, and guess what? After watching this, I still don't feel like I know very much about her because they focus on a non-existent love story - and theorize that this loss of this love and betrayal by her brother was the catalyst for her to write one of the greatest novels of all time (Wuthering Heights). Usually I appreciate a bit of fictionized history, but it feels a little offensive in this case to create these circumstances that revolve around men, when she was such a strong-willed woman who seemed to have little interest in men. It's just an odd focus for this biopic. Anyway, I do think there is a really strong use of sound in this film - from the background waves and birds chirping, to the heavy, rhythmic breathing, to the use of silence - it's all very breathtaking. 

Thoughts on 5 Films

1. The Son - I was hoping for the best with this because The Father is a stunning movie. I think if I reassessed my top 10 of 2021, it would have made the cut because it's a film that I think about often. But this got mostly mid to terrible reviews, and unfortunately those reviews are right. It just doesn't have the same impact. And it is completely ruined by the truly awful performance by the kid in this movie. I have never seen him in anything before, but I'm stunned that he got this role in a film with huge talented stars like Hugh Jackman, Vanessa Kirby, and Laura Dern. The Father also has such an interesting narrative and plays with memory & perspective, while this is just flat and linear. And just really, terribly boring. I think it's fairly obvious that *major spoilers ahead* this kid is definitely going to kill himself by the end. But...I think it's weird that they spend the whole film making us feel like it's the father's fault because he left his mother and started a new family. Again, I just never connect with these types of stories, because, ultimately he still has two parents who love him and support him. It would be different if he didn't want to be a part of his son's life anymore, but that's not the case, so what exactly is he so angry about? I do think that the best and most impactful part of the film is the end, even though I knew how it was going to end, it's still very heartbreaking to witness. And I say this from personal experience, having someone I was close to die by suicide is one of the worst things I've ever experienced and the feeling of guilt never goes away. The guilt is because I listened to other people - people who told me that he was "fine" and that I shouldn't contact him because he was embarrassed by his first attempt at suicide ("if you call him now, he'll know that we told you and he doesn't want anyone to know"). So I didn't. And then a week later he shot himself in the head. So, always listen to your gut and don't let others stop you from reaching out to people. And be super alert if someone attempts suicide and then suddenly seems "fine". Anyway, I've gone a bit too personal, but I think a lot of people can relate to this guilt that the father feels at the end. I was a little disturbed by his wife's comment of "life goes on" - I understand her intent is to focus on their baby and their new life together, but it's such a fucked up statement. People need time to process (and sometimes that takes years). I wish the rest of the movie was this effective, but overall, it's not good at all. 

2. Creed III - So I remember liking the Creed movies, but I remember very little about them. So then I tried to remind myself about them before starting this one by reading my own reviews/thoughts, but I didn't rate Creed II on Letterboxd and I had no review of it on this blog, so then I thought "well no wonder I don't remember it! I didn't see it!", so I started watching that first, only to realize that I did, in fact, watch it. This is a really long-winded way of saying that I have a terrible memory and rely on my film diaries so much. It's weird that I didn't log it or blog about it, but I definitely have no interest in re-watching it, so I stopped it and started the 3rd one. And now I know why I have no recollection of the first two. It's a good movie, but nothing about it stands out. I appreciate Michael B. Jordan's first attempt at directing - he's in such a strong position in Hollywood to really push open doors for young black creatives, and he took his chance with this. I think it's smart to pick something that already has such a strong fanbase, and something that he's already made a successful mark in. People definitely respond to the Creed movies in a positive way, I just don't really connect with them (but I also don't think I need to). From a genuine, critical perspective, I think it feels a little amateur and cliché. Specifically, *some spoilers ahead* the big final scene in the ring when the audience disappears - just next-level awful camerawork. And the "bro" dialogue is *cringe*. The scene with his mom feels forced (his mom had a stroke and is on her literal death bed, but is still perfectly conscious and functioning on her literal death bed...uhhh okay, sure?). But, it is a very watchable movie. Perfectly fine. Jonathon Majors is such a good villain - like genuinely terrifying. I can't imagine he'll have very many roles going forward, at least for the next few years (I definitely think Marvel is rethinking Kang as the way forward). Also, I thought Phylicia Rashad was "cancelled"? 

3. Run Rabbit Run - This could have been a good movie, or at least, an average movie. But, unfortunately, it's very dull and lifeless. It reminds me of Umma - completely different stories, but both about generational trauma, featuring a single mother, and both boring as FUCK. There are a few really interesting scenes and it's atmospherically creepy, but there's also just a lot of shots of the wind. It's windy...ooooooooh.....scaaaarrrry...type shots. And kids are always creepy - I've said that many times, but at this point I just need something different. It also sort of reminds me of The Good Son with the ending (that is extremely predictable). I really like Sarah Snook, though. I think she really developed as an actress during her run on Succession, and I'm interested in what she'll take on next. She definitely seems more comfortable with her natural Australian accent (her American accent is soooo wonky on Succession). And they did a really fantastic job at casting her daughter in this, and she's a good little actress. Overall, this movie is just missing something. And, in reality, this little girl needs to be taken away - abuse is abuse even if it's unintentional. 

4. Evil Dead Rise - Ughhhhh this movie kind of sucks and I don't understand why it was reviewed so positively? First, and the most frustrating for me, the accents are WILD. Why even set this in Los Angeles if most of your cast are from Australia or New Zealand? It would not have effected the story at all to just set it in an apartment building in either of those countries. Instead we have to listen to the cast struggle for the entire runtime. Second, the opening title card is so fucking stunning - possibly one of the best I've ever seen - and then nothing in the movie after that matches this. It's incredibly frustrating. Third, the film never lets you connect to any of these characters before they start getting possessed. And two of those kids are TERRIBLE actors (not necessary to name them since they are kids, but WOW, just awful performances), so I couldn't care less if they die. And last, I waited the whole movie to see how the beginning connects to this isolated story and....uh...seriously? *spoiler* This girl was IN this building the whole time and did not hear all the noise around her or see a bloody elevator or the building falling apart around her? And how did she get down the stairs that were destroyed? It's SOOOO stupid. Anyway, I do like both the main actresses (one of them reminds me a lot of Elizabeth Banks), so that's something. 

5. Infinity Pool - I love this. Definitely my favorite movie of the year, so far (although I haven't seen many great films this year. This, Tetris, and Missing are the only movies I rated 4 stars so far). I kind of knew that I was going to love it because Brandon Cronenberg hasn't disappointed yet - and he's still such a new voice in filmmaking. He's only going to get better and I can't wait to see where his mind goes next. I went into the movie fairly blind, and I suggest anyone interested do the same. It's an interesting concept, for sure - a very wealthy group of people basically find a way to commit crimes and get away with it, but also feel punished at the same time. It's like masochism-lite. It's also an interesting sci-fi take on how clones can be used and abused by the wealthy. I think there's also some commentary on the touristification of different cultures - there is a way to immerse yourself in someone else's culture without being offensive and exploitative, but I feel like most people don't know where the line is. There's just a lot to love about this - the circular camera tilts used in the beginning to create a disorienting effect are perfectly done (this can also feel amateur if not done right, but it's nailed here), and Mia Goth with THAT accent - I know it was actually criticized which is kind of hilarious because it's her real accent, but I thought it was fabulous and it fit this character so well. The film takes unexpected risks, and mixes up genres, but I also feel like it never goes too weird (as in, it never goes weird just to BE weird - every weird moment feels purposeful and propels the story forward). Even the orgy scenes feel tasteful with the way it was filmed. 

Emmy Nominations: The Good, The Bad, and The Snubbed

The Good: 

- HELLOOOO My number one favorite, Taron Egerton, now an EMMY NOMINEE for Black Bird!!! He absolutely deserves it for the 5th episode alone. Also thrilled about his nominated co-stars, Paul Walter Hauser and the late Ray Liotta. 

- My favorite acting performance of the year is probably from Dominique Fishback in Swarm. Just an incredible and super nuanced performance that only someone with actual acting talent can get right. 

- I'm not the biggest fan of Succession (EEEK!). It's a GOOD show, but the way everyone goes on about it and puts it up there with Breaking Bad and The Sopranos is just hard for me to wrap my head around. However, this year, I do think that both Sarah Snook and Kieran Culkin deserve the nominations (and even the win!) for their performances. Snook is absolutely brilliant in that 3rd episode. And Culkin has been the highlight for me since the beginning. 

- Yay for Niecy Nash!! I adore her and she definitely gave a memorable performance in Dahmer. I hope she wins it. 

- Jessica Williams is HILARIOUS in Shrinking. As much as I love Sheryl Lee Ralph in Abbott Elementary, I think I'm rooting for Williams. 

- Judith Light for that guest spot in Poker Face!!! She's absolutely brilliant (but so was S. Epatha Merkerson!). It's my favorite episode of that show by far. 

- So many of my favorites nominated - it's hard to list them all but some included are Natasha Lyonne, Jenna Ortega, Keri Russell, everyone from The Bear and Ted Lasso, the list goes on...

- Are we finally over the love for SNL? It hasn't been funny in decades and yet there's always cast members filling out the supporting categories in comedy. This year it seems only guests got in (one for Pedro Pascal! I'll allow it, even though every skit I watched was painful). 

The Bad: 

- While I think they did a really good job this year, there are a few shows that I think earn nominations simply because they are trendy and/or had great promotion and Daisy Jones and The Six is absolutely that show this year. Everything about it is actually terrible except maybe Camila Morrone (still not an Emmy worthy performance, but I like her a lot in this). 9 nominations for this series is truly ridiculous. 

- I knew the Television Academy would fall head over heals for Fleishman is in Trouble even though it's a load of misogynistic crap (my thoughts on it are on this blog if you're interested). Lizzy is fine, but Claire Danes crying is an awards trap and they fell right in. 

- They really need to do something about the categories because The Bear and Barry are not comedies. It's a disservice to the nominees to be up against actual funny performances. I think it's going to cause Sudeikis to take the win again - and I do love him in Ted Lasso, but Jeremy Allen White & Bill Hader are in harder roles and knocking it out of the park. 

- The Outstanding Supporting Drama performance categories are embarrassing. The Actor one is worse with literally only 2 shows represented (and most of those performances are mediocre, at best), but even the Actress one is very limited. The only performance worth noting in The White Lotus is Meghann Fahy. 

- The Limited Series Category is also terrible - Obvi, I hate Fleishman and Daisy Jones, but I like Beef (I will write my thoughts on it soon), and I also liked Dahmer. I watched Obi-Wan Kenobi and I don't remember a thing about it. HOWEVER, none of these shows should be nominated when you have shows like Black Bird, Dead Ringers, Five Days at Memorial, George & Tammy, Swarm etc. as competition. It's wild! 

- I'm sorry but the final season of The Marvelous Mrs. Maisel is one of the worst final seasons of television ever. It ruined the entire show for me. Erase it off the list, now, please. 

- I think it was super egotistical of Brian Cox to submit himself in the Lead Actor category when he's only in the first 3 episodes of the season. The academy should have shut him out because of it and given the nod to an actual lead performance. 

- The love for The Last of Us *rolls eyes*

The Snubbed: 

- I can't believe I'm saying this but how did Harrison Ford not get a nomination for Shrinking? It should have also been nominated for Comedy Series (especially over Wednesday??? That's also not a comedy). 

- Rachel Weisz is incredible in Dead Ringers playing dual roles. You're telling me that Riley Keough singing (badly) and pretending to be high for 10 episodes is a better performance? (again, LOVE Riley, but this was bad casting).

- As happy as I am for the performance nods, Black Bird missed several nominations it should have gotten - not only for series, but for writing & directing (it did get one cinematography nod). 

- Vera Farmiga and Cherry Jones gave incredible performances in Five Days in Memorial. I'm really surprised that series was completely shut out. 

- Nobody watches it so it's no surprise that it was ignored, but one of the best shows on television is Apple TV+'s For All Mankind. 

Film Retrospective Part II: Thoughts on 10 Films (pre-1970)

1. Mildred Pierce - [blind spot] I was severely misled on this movie and I have no idea how/when/why it happened, but for some reason, I always thought this movie was about a neglectful horrible mother, when in fact it is the exact opposite???!! How the Hell did I get that in my head? I loved it. Every second of it is just so good. It feels modern and feminist, which is rare for a film from the 1940s. And Joan Crawford is spectacular. The mystery is really engaging and I love the misdirection. Plus, it's gorgeous - the noir, shadowy vibe, the costume design, etc., just perfect. So perfect that I rated it 4 1/2 stars (it might even be a 5 star film, I just hesitate to rate anything 5 stars, but in a few years time I might reassess). 

2. Gentlemen Prefer Blondes - [blind spot] Uhhh so this might just be one of my favorite movies of all-time??? It's so funny and sarcastic and witty - and the screen presence of Jane Russell/Marilyn Monroe as a comedic duo is absolutely incredible. They have fantastic chemistry together. I've always like Marilyn, but I haven't actually seen a lot of her films. I have seen, and also love her in, Some Like it Hot (another favorite of mine) and I think I've seen The Seven Year Itch too (that's the one with the famous white dress that blows upwards right?). But this, officially, makes me a huge fan of hers. And yet, as much as I love Monroe, Russell is definitely the highlight of this - her facial expressions are beyond hilarious and she is STUNNING. It's always so weird to me when I know all of the lyrics to songs but haven't watched the movie/stage production. I think this is a product of being a drama major & being in show choir in Junior High (I'm pretty sure we sang "Diamonds Are a Girl's Best Friend" as part of a USO performance). But it was fun actually seeing the original versions of these songs. And the costumes are perfection - so many iconic, recognizable looks. It's such a cute story, too!

3. Marnie - [re-watch] I didn't remember liking this Hitchcock and I was right! It's not bad; just not among Hitch's best. There are some classic Hitchcockian shots - like with her in the bathroom stall, and the one where she's stealing from the safe with the cleaning lady in the next room. Just perfect blocking and angles. But it's way too long and there's just not enough story to warrant the length. The score is also very overwhelming (and not in a good way). I love Tippi Hedrin though (and I didn't actually realize that she's still alive until I looked it up. 93 and still going strong! Sean Connery was an awful actor, though (and an even worse human being!). I'm baffled as to how he had such a successful career. 

4. Murder! - [re-watch] Another Hitch that I've seen, but rated very low. It's not as bad as I remember, and there is actually a lot I like about it. It's very early Hitch, but the intrigue and suspense is there - just not as expertly crafted as most of his filmography. Also, this just had to be inspiration for 12 Angry Men, right? There's something really off about the sound, which bothered me (maybe just the streaming service? But it sounded muffled and echoed). I was also definitely not expecting the end. Chilling. 

5. A Streetcar Named Desire - [re-watch, mostly] This is one of those films that I never watched the full movie in one sitting, but I definitely watched (and analyzed) scenes of it for one of my Drama classes (It was a course on Stage to Screen films) and I've seen the play performed (I think it was an off-Broadway production? I don't really remember but I remember the stage design being really cool because it was designed in a circle), and I've read the Tennessee Williams play several times. The movie is ok; not great. I like the production design here too, but it does still feel like a play instead of being more cinematic. I've never really been a fan of Marlon Brando (I mean, except in The Godfather, of course), but it is so stupidly weird how fucking hot he was when he was younger. Ugh his hotness combined with the crisp white tee *heart eyes emoji*. SO HOT. 

6. The Searchers - [blind spot] I actually think I've probably seen this with my grandfather but I was probably, like, 8 years old, being forced to watch another western with John Wayne. They all bleed together in my mind so I think watching them as an adult might have a different effect (maybe?). I picked this one to watch first because of Natalie Wood. I just adore her. She's not in this very much, but definitely the highlight. I definitely went into the film expecting the blatant racism, so no surprise there, but it's still sort of horrifying to watch. It's also weird, and a bit disappointing, to watch an older classic like this and realize that a more modern film that I love is basically just a copy of this (Bone Tomahawk). 

7. The Trouble with Harry - [re-watch] There will probably be a lot of Hitchcock films on these retrospective posts, because I love watching his movies. Even the ones that I don't like are still worth multiple watches. I actually didn't really remember much about this one, which is why I added it to my list. I really liked it - and there are some incredible moments, especially the beginning - what a stunning opening shot with the kid standing over the body with his toy gun. It's also a very funny movie. I mean darkly funny, but still funny nonetheless. Also, Shirley MacLaine's film debut! I accidentally did a Shirley double-bill with this and this next movie on my list. 

8. The Apartment - [blind spot] This definitely was not what I was expecting, but I liked it very much. I think I was expecting something much more laugh out loud funny, but it's actually super dark and the subject matter is certainly not funny. I think it would have a completely different vibe if someone tried to remake this (although, the concept of the "hooking up" apartment has been used with The Loft). It's about a man who rents out his apartment to his co-workers so they can cheat on their wives. And then he stalks one of his co-workers (he even brags to her about knowing her social security number LOL), and then she attempts to commit suicide in his apartment! Just super...not funny. It is impeccably made, though - and that one office scene is a classic (that I have also seen and analyzed before, and I completely forgot about it until I started watching this). Plus, Shirley MacLaine is a national treasure! It's clear, from this, why she became such a big star.  I've always liked Jack Lemmon too - just genuinely funny and had great screen presence. Also, can we talk about how this apartment that is outside Central Park in NYC costs $85/mo to rent? 60 years later and that apartment now costs about $14,000/mo (and that's a low-ball figure).

9. Funny Girl - [blind spot] I can't believe that this is a blind spot for me, considering that I belt out "Don't Rain on my Parade" and "My Man" REGULARLY. That's mostly thanks to Glee though. I thought I would be first in line to see Lea Michele back on Broadway when Glee ended, but there were so many horrible things reported about her and I just can't support someone like that. I thought, at first, that maybe she was just young and misguided (and she let her early celebrity ego get the best of her), but there's just no excuse for some of the things that came out about her. But, that doesn't take away from the fact that she is talented and is probably the only person who can do Barbara Streisand justice (sorry, I have nothing against Beanie Feldstein, but almost every review said that she didn't have the vocal chops for the role). Anyway, as far as the film goes - I LOVED it. First, Streisand is HILARIOUS. Like, I've seen her in more modern roles (and of course Beaches), but this feels like a sort of rebellious funny, and I LOVE IT. Second, I love the fact that it's a feminist story, but also not black & white - she's a big star, with talent, money, fame, power, the whole shebang, but she's also in love and wants to make the man in her life happy. The lesson is that he's never going to be happy, though, unless he's the more accomplished person in the relationship. And if someone isn't championing you and your successes, then they don't truly love you. It's a tough lesson to learn, but this film tackles it really well. And last, the costume design is so stellar. That leopard coat and pillbox hat - iconic. 

10. Hello, Dolly - [blind spot] I didn't really like this one. I thought I might enjoy it since I liked Funny Girl so much and Barbara Streisand. But this just didn't capture my attention at all. Although it does have another iconic fashion moment with the lavender dress and matching feather hat. It feels a little too whimsical to me, and definitely inspired by Mary Poppins (maybe I should add that to my retrospective considering I've never seen the whole thing in one sitting?). I knew every single song, which, again, is due to being a theater geek. But the actual "Hello, Dolly" number is like an entire hour long, which is mind-numbing. I was singing along at first, but then it just keeps going and now I hate the song with all my heart and I hope to never hear it again. 

Best Films of 2022 ***Updated***

Here's my annual updated Best Of list! Not much has changed - only 3 added, but one of those took the top spot! 

1. Aftersun

2. Babylon

3. After Yang

4. Saint Omer

5. Triangle of Sadness

6. Men

7. Resurrection

8. Everything Everywhere All at Once

9. Emergency

10. Blonde

10.5. The Banshees of Inisherin 

I know there are a few movies on this list that everyone seems to actively hate (Blonde, Babylon, Men, Triangle of Sadness), but what can I say? I like what I like. *shrugs shoulders*. Also, I was able to see *most* of the films that I wanted to see before this update, but I did not get a chance to watch The Whale or the Avatar sequel, but I doubt either of those would make the list. But who knows??! 

Thoughts on 5 Films

1. The Mother - This has a really strong beginning with the FBI safehouse scene, but unfortunately, I lost complete interest in it about 30 minutes in and then I had to stop it about an hour in and finish it the next day (although this has been happening to me more and more lately...I'm getting old! I need my sleep!). It just felt so long and predictable...and pointless. It also feels like a Liam Neeson movie, but with JLo in the Neeson role. That's not necessarily a bad thing, but in this case, it is. Lopez seems to take the role a little too seriously, which works for Neeson because it's what he does so well. She's just dull and dry, and boring to watch. And surely, Gael Garcia Bernal and Joseph Fiennes deserve better roles than being supporting villains in a Netflix JLo movie??? Aren't they like Oscar nominees?? (they...are not. I just looked it up. But they should be!). The whole story is just wildly overdone and beyond reality. I can't even praise the action sequences or fight choreography because I watched it a few weeks ago and I can't remember any single moment about it. Just a full waste of talent all around. Can't even muster up anything else to say about it. 

2. Saint Omer - What a devastatingly beautiful movie. I saw this on many Best of 2022 lists, and as we approach July, I am putting my updated list together, so I'm trying to ensure I've seen everything that might effect my list (this will surely be on it). I wasn't really sure if it lived up to the hype as I was watching it, but the ending is packed with so much emotion - it's going to haunt me for the rest of my life. As for the rest of it, it's very simple but incredibly effective. It's super interesting to watch how the justice system works in France. The way the judge reads out everything in a very fact-based way, while also referencing key moments in the life of this accused woman (she is accused of killing her baby). It seems weird to me, an American, because in an American courtroom most of this would be objected by one of the lawyers as not being relevant to the case. But, it seems necessary in certain cases - although I don't think it would effect the guilty or not-guilty outcome, I do think it helps us learn about human psychology and behavior, therefore possibly effecting future crimes and cases. I think my point is that we don't focus on prevention enough in America (or empathy, but that's a whole other can of worms). As simple as the story is, I never found my mind wandering, instead I stayed very focused. I did, however, start to question the point of it all - until I found myself getting very angry. And then I realized that THAT was the point. From the moment that the father started to speak (and I just knew it was an old white man), my blood started to boil. And when he says "her silence was aggressive" - such a loaded statement about black women because it doesn't matter if they yell or sit in silence, they will still be branded as "aggressive" and it's heartbreaking and disgusting. The rhythmic breathing sounds add to the intensity, leading to that aforementioned ending. The speech by the defense lawyer is breathtaking - how women carry trauma and pass it down, both physically and spiritually. Invoking Greek tragic figures such as Medea, Circe etc., the "she tried but she lost" defense, watching the other women in the courthouse fight back tears because they can relate to every word. It's perfect. And what sensational performances from Kayije Kagame and Guslagie Malanda. There's very little dialogue, but I felt that I knew what they were thinking in every moment. 

3. Chevalier - I like this movie - it's probably not something that I'm going to remember years from now, but overall I was entertained and the acting is really strong. I do think they could have taken things a bit further, especially finding out that he "went on to lead the first black regiment of the French Revolution" during the fucking credits??? What the fuck, that's kind of a huge part of his story and far more interesting than the entire 120 minute preceding it! But the story that they do tell is fairly interesting, as well. I think it's kind of hilarious that when the trailer for this came out people complained about it being woke, only to be told it's based on a true story (I wish those people had enough self-awareness to feel incredibly stupid, but sadly they do not. They'll just move on to the next racist thing to complain about). It's also 100% about his race and how he is an anomaly in this world of composing and classical music. I didn't realize that Samara Weaving was in this, so that was a pleasant surprise, but, as expected, Kelvin Harrison Jr. knocks this out of the park. He's such a good actor and, like, nobody talks about it. Minnie Driver is also in this, which was also a surprise because I haven't seen her in anything in so long (I actually thought she retired from acting? Or did I imagine that?). The story is good, if a little predictable. It's definitely not an unfamiliar story, but there are some powerful scenes and I like the parallels between his relationship with Samara's character and his own parents. But again, I think it could have been taken to much darker places, and I would have loved to see more of his rise as a leader in the revolution. 

4. Extraction 2 - Not a big fan of the first one, but I didn't hate it and it had some great action sequences. But I also remember it being really ugly and yellow. I actually think I liked this one slightly better. It definitely looks better and we get to know the main character a bit more (I totally forgot his name was Tyler Rake. LOL). I also like Chris Hemsworth a little more than I did a few years ago. The story is pretty much the same - him and his team "extract" a prisoner (and her two children). But, let's talk about what these films are known for - the camera-work, which is definitely the highlight. The previous one had an extensive one-shot (I don't remember how long it was, but it was impressive...I think?), but this one really expands on that with the prison sequence. It's advertised as a "21 minute one-shot" scene, but there are several obvious cuts and they are fairly easy to spot (I say several, but there are at least 2 per minute so at least 40 that I spotted with just one viewing. I'm sure there is even more if I really analyzed it). HOWEVER, it is brilliantly done - impressively choreographed and executed, creating an exhilarating and memorable action sequence. The rest of the movie is a little ridiculous. Entertaining, but ridiculous. I literally screamed "just shoot him in the head" multiple times to multiple characters because that's the best option in the moment, but then I guess the movie would be over and that's no fun. Also, that boy is fucking stupid, just let him go. And I can't get over how he consistently gets his ass beat and then has like one tiny scratch on his forehead. Or that he was basically dead, but then back in full-action mode within...months? I don't actually know how much time has gone by. They probably mentioned it when I wasn't paying attention, but either way it's dumb. If you break that many bones in your body - it will have residual effects on your body for the rest of your life. Annnywaaay, I also hate that his partner, played by Golshifteh Farahani, doesn't put her hair up at any point during these action scenes. It's just flying into her face, covering her eyes, impeding her ability to fight and she just lets it happen like an idiot (I mean, I put my hair up to do simple tasks like eating. Most women do?). And speaking of Farahani, I know she's been in a lot of stuff, including the first film, but I'll never forget her performance in About Elly. She's an incredible actress and definitely deserves more than these types of roles. Also, I can't believe that Olga Kurylenko plays his wife! And she has like 4 lines! Remember when she was going to be the next big thing? Now she's playing bit part wife roles. Thanks, I hate it. 

5. Reality - This is an interesting movie - it's entire dialogue is based off of the actual recording that took place during Reality's first interview/interrogation and search of her home. I didn't really focus too much on this story as it was happening (but Reality Winner is the most ridiculous name in the history of names), I just knew it had to do with mishandling of classified documents (which seems to be a big problem among political figures these days....ahem...) and I knew that she received an overly harsh sentence. I think what the film does really well is keeping this well-known story so intense. It's almost harrowing, the way that the agents talk to her in this "everything's going to be okay, we're your friends" kind of way. I think the most obvious mistake is that Reality did not ask for a lawyer IMMEDIATELY. Especially because...she did it?. She admits that she thought it was about a mistake that she made, but once she realizes that it's not what they are after, wouldn't she stop talking and ask for a lawyer? I know it's set up to show the power dynamic and how she felt intimidated by all of these men invading her home and personal space, but she's not dumb so....lawyer up, hun. I do think she was used as an "example" and branded as a traitor, all while others are passing around classified information like it's fucking candy, and that sucks. And it's crazy that the information she shared was then talked about openly just days later with no recourse to anyone else. Sydney Sweeney is an incredible young actress. I'm really excited to watch her career progress. She's probably the best actress on Euphoria (even though her character is annoying) and she's been great in a few other things I've seen her in (The Voyeurs, The White Lotus, the Frankies bikini ads 👀). She does a great job here - giving Winner vulnerability and innocence even within her guilt. Also, that one FBI agent is SO HOT. WHO IS HE?! Was the actual FBI agent that hot because then maybe that's why she was so dumb? Like, if that guy was interrogating me I would not be thinking straight.