Tuesday, November 3, 2026

3 Thoughts on Ink


1. Jack O'Connell & Company -
I've been a fan of Jack O'Connell since his Skins days (although we didn't get Skins here until 2010ish, I think? I remember getting the discs from Netflix but it was years after it aired in the UK), but this year has really turned a corner for me. After watching 28 Years Later: The Bone Temple, I decided to watch as much of his filmography as I could (some early stuff still isn't available here). This included rewatches of Godless (brilliant show), Jungleland (better than I remembered), Lady Chatterley's Lover (he's so fucking hot in it), some first-time viewings like Little Fish (which is now one of my all-time favorite movies), SAS: Rogue Heroes (another brilliant show. Bring on season 3!!), and some smaller UK films that I had never even heard of prior to this year like '71, Starred Up, United etc. Overall, he is stellar in everything - even films that are not good (like Seberg, Back to Black, Unbroken). It's kind of CRAZY that he's been on the brink of hitting it big and it took him this long to get here. Thanks to Sinners, people I know KNOW WHO HE IS! Because pre-Sinners, I don't think one person I know (in real life, in America) would have known his name. I wasn't really looking forward to Ink, if I'm honest - the story is not of interest to me, Jack clean-shaven is not my favorite look, and Danny Boyle has directed a few belters (28 Days Later, Trainspotting), but he also has a lot of 3 star films (Slumdog Millionaire, Steve Jobs, Trance). I planned on waiting for this to release on Netflix, but then I saw that it was actually going to play at a local film festival AND JACK WAS GOING TO BE THERE FOR A Q&A! So I dragged my husband along and we both overall enjoyed it. I enjoyed the q&a more than the film (for obvious reasons), but I still think the film is among the best of the year (so far). Jack is outstanding - he is one of the few actors that knows how to be charming and menacing at the same time (and he's excelled at this since his role as Cook - the ultimate charming menace!). I'm happy that he's being campaigned for this as Lead Actor, especially since he got screwed out of the Sinners nominations. I don't think it's the best performance he's given (he's actually given a better one this year that will be ignored with The Bone Temple), but it's definitely among the best of the year. However, I do think the actual best performance in this is from Claire Foy. I think her role is largely fictitious (compared to the rest - who are all real people), but she feels the most authentic somehow. Her character is clearly an attempt to soften Lamb into a likeable person (he supported a feminist! He can't be all bad, but it only works because Foy sells it). I don't think Guy Pierce does anything particularly interesting as Murdoch, but overall the performances are the highlight. 

2. Tabloid culture - While we certainly have our own tabloid culture in the states, it's never been anywhere near what started in the UK. And I don't think the history of it or Rupert Murdoch & Larry Lamb is something most people here even know about (obvi we know Murdoch, but I had never heard of Lamb before reading the description for this film). I think this is why my husband actually enjoyed this movie (even more than I did!) - because it's something he didn't know about. He's very specific in what he'll watch when it comes to films (and it's mostly comedies, animation, sci-fi, and action - dramas are a hard no unless they are war dramas). So when I say I "dragged" him, I mean because I *thought* he would hate it and he also *thought* he would hate it, but I didn't actually have to "drag" him because if I say "hey, this is something I want to do", he goes "okay" because I don't ask for a lot so it must be important to me. Anyway, I'm on a sidetrack, but my point is that he actually really enjoyed this because it's actually a very interesting story and relevant story, and a part of history that he didn't know. And Danny Boyle definitely inserts his hyper-stylized, kinetic energy to kick a kind of boring story into a high energy thriller so it held our interest. I, myself, am guilty of participating in tabloid culture. Although, I used to read more actual magazines like People, US, and Star over, like, The National Enquirer, but that's only slightly better. It's interesting to see how it all slowly, but also quickly, changed into online clickbait and then "rage" bait. I think there is definitely a way to balance actual news stories, with more fun celebrity gossip, and lighter stories, but we're kind of past the point of no return. However, the ending of this film kind of ruins....everything? I think for some reason Boyle thought the audience wouldn't make the connection of "how it all started" to the present day disastrous influencer/content creator/political degradation of our culture. So, he put together this insane and completely unnecessary montage to end the film. I almost want to remove a whole star because of it! 

3. The AI of it all - So, a big story that developed as this was premiered at festivals, is that Danny Boyle decided that using AI in his films was A-OKAY! First of all, it's downright insane to use AI in a film that is trying to teach us a lesson about a societal downfall. Like, does he not see the connection? How AI is being used to sexually harass women, spread actual "fake news", and make humans actively dumber?? When questioned about it - he admits to two scenes (I'm pretty sure there is more...), one of which involves a scene featuring Margaret Thatcher - a scene that could have easily been cut because it's weird and no context is provided. And the other is to add animals (specifically mice) to the film, and he excused it as protecting animals from being harmed and described it as the next step in visual effects. And sure, I can actually understand that, but I would rather have a human design an effect of a mouse running across the screen than AI do it. Period. I get that films are under "tight" budgets, but those budgets often run in the millions, so I'm sorry, but you can afford to pay a human. It just sets such a dangerous precedent and I hope he listens to all of the negative feedback and refuses to use it on his next project.