2. Hot Milk - I didn't like this at all. More like Hot Garbage! I was really hoping for better for Emma Mackey because I adore her! She was incredible in Sex Education and she deserved so much better than the other 2025 Hot Garbage film, Ella McCay. She deserves a good starring role in a film. But maybe it's too soon? Maybe she should focus on choosing really strong supporting roles for a bit. Anyway, this is a movie that I can connect to in a lot of ways, which I wasn't expecting. And normally that would be a good thing, but the way the story plays out and her relationship with this other women feels very inauthentic. So *personal story time*, just like this young woman, I had a very sick mom growing up - she had severe pain in her abdomen. Sometimes she couldn't get out of bed because the pain was so bad. It was a huge part of my childhood - basically all of my teenage years. Nobody could figure out what was wrong with her and a lot of doctors made it seem like it was all psychosomatic. Some doctors believed her and misdiagnosed her with many things (they even took out her very healthy appendix!), until finally one doctor realized that scar tissue from a childhood injury and scar tissue from a botched c-section had wrapped around her intestines. She had to have several surgeries and was in and out of the hospital for months. And as shown in this film, it's a very isolating experience for a child to go through. It made me grow up a lot quicker than everyone else my age. But I definitely remember, as a teenager, being extremely resentful of my mom's illness. And I began to question the authenticity of her pain just like the doctors. I'm lucky that my mom got treatment before I became an adult and it didn't impact me leaving home (literally when I turned 18 I was like fuck this! Get me out of here!, which I wouldn't have done if my mom was still sick). I have sympathy for this young woman in this movie, but also at some point you have to grow up and become your own person. If they didn't introduce this other woman - who is older and clearly grooming her - I would have liked this story. But it becomes something else that is very uninteresting. The movie does look really pretty, and the acting is good. I also liked the ending (the way she's past her limit is great - and Emma does a great job portraying this). I just think the whole middle is bad and they don't feel like real people - like when this other woman, played by Vicky Krieps, admits that she killed someone and then they just go about their day like nothing happened. WHAT? and when Emma threatens a man double her size? He could kill her. No woman would do that. And WHY does she keep going in the fucking water if there are jellyfish who love to sting her? Are you stupid?
3. Sentimental Value - YAY!!! Another 4 star film from 2025!! Fucking FINALLY. I'm sorry, but I just don't agree with people who say it was a fantastic year for film. I can barely make a Top 10 list, and so far, the ones I do have on my list aren't even all 4 star films! 3.5 star films should not make it into a Top 10 list! That's crazy! Anyway, I love this. Movies about making movies don't always work, but this one does it well. I think everyone is very deserving of those Oscar nominations - and maybe Elle Fanning should have won hers? That's debatable. But Renate Reinsve should have definitely won. I'm a big fan (although I wasn't a huge fan of The Worst Person in the World - she was great in it). I think she is one of the few actors that know how to act with their eyes - like I can see what she's thinking without her even saying dialogue. I definitely think she's better than the winning Oscar performance (sorry, not sorry!). The supporting cast is great too - obvi the other Oscar nominees Stellan Skarsgard & Inga Ibsdotter Lilleaas - but also Cory Michael Smith, and Anders Danielsen Lie (I love him!). I think this film accomplishes something that Jay Kelly was trying to accomplish by showing this aging filmmaker reflect on his career and deal with the consequences of being famous and how that effected his relationships with his children. It questions the idea of "legacy". But also on a smaller scale it deals with human emotions (and how nonsensical these emotions can be sometimes) and the idea of finding meaning in objects that hold memories - I absolutely LOVE how she describes her house. It becomes a character of its own, and it's just a gorgeous sentiment that feels like a poem. I wish the movie were shorter - because it starts to drag. 100 minutes, and it might have been close to perfect.
4. Primate - This is basically Cujo? The only difference is that Cujo is about a mother and her son - and you clearly don't want them to die by horrifically being attacked by a rabid dog, while this one is about a bunch of squealing young women who are annoying as fuck so you want them to die instantly. Like, fucking attack them you adorable little chimp. Rip their fucking heads right off! DO IT! Haha! I'm sort of kidding. My point is that I really didn't give a shit about these girls so there's nothing at stake. It's also annoying that they all look the same, too. I don't know which one is the annoying friend, the good friend, the main girl and the sister. They're all identical - none are given personalities except that one is "annoying", but if you find all Gen Zers annoying then you won't notice a difference between their levels of annoying. I love that Troy Kotsur is in this, though. He obviously deserves a better film, but I love that he is showing that someone with a hearing disability can still be in films that aren't about having a hearing disability (also, he was so good in the Netflix show Black Rabbit - hard to believe that performance went unnoticed. I thought for sure he would have been an Emmy front-runner). There's a lot of dumb stuff that is hard to reconcile - like, you didn't tell your friends that you have a pet chimp before they arrived at your house? And why would this group of guys WALK INTO SOMEONE ELSE'S HOUSE when it's dark and it looks like nobody is home??? That's breaking & entering! The chimp has the right to kill you! The only positive (aside from Kotsur) is that there is some good gore, but it's so fucking dark in some parts. I would like to SEE the gore, please!
5. Mike & Nick & Nick & Alice - I'm SHOCKED by the positive reviews I read for this movie. I mean, someone I trust a lot with movie reviews rated it FOUR fucking stars!! Insane! It's terrible! The acting? terrible! The plot? Fucking stupid. The soundtrack? So extremely random that it doesn't even make sense (rave music during a fight scene and then Papa Roach during another one? An Oasis sing-along? What is happening?). Also, the title?? Get the fuck out of here with this dumbass title! It's also 2 hours long when it should be 100 minutes (most movies should be 100 minutes!). It's not funny in the slightest (I laughed once at the "Ur in danger girl" text, but I'm not sure if the Ghost reference was done on purpose). I love James Marsden (everyone watch Jury Duty please!) and Eiza Gonzalez, but I also really love Jimmy Tatro, and he's completely wasted in this. Someone needs to write him a comedy STAT. I'm a fan of Vince Vaughn too, but I think it's widely agreed that he can become grating if there's too much of him (because he does the same character in every project) and this is a DOUBLE DOSE of Vince Vaughn so that's...something else. It's like max irritation level annoying. I do like the sci-fi plot mixed in with this gangster drama - it's, at the very least, original. But it's just badly executed and it feels like it's trying too hard be funny and it fails.




















